Graffiti Art
Term applied to an arrangement of institutionally illicit marks in which there has been an attempt to establish some sort of coherent composition; such marks are made by an individual or individuals (not generally professional artists) on a wall or other surface that is usually visually accessible to the public. The term ‘graffiti’ derives from the Greek graphein (‘to write’). Graffiti (sing. graffito) or SGRAFFITO, meaning a drawing or scribbling on a flat surface, originally
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Graffiti Art
Term applied to an arrangement of institutionally illicit marks in which there has been an attempt to establish some sort of coherent composition; such marks are made by an individual or individuals (not generally professional artists) on a wall or other surface that is usually visually accessible to the public. The term ‘graffiti’ derives from the Greek graphein (‘to write’). Graffiti (sing. graffito) or SGRAFFITO, meaning a drawing or scribbling on a flat surface, originally referred to those marks found on ancient Roman architecture. Although examples of graffiti have been found at such sites as Pompeii, the Domus Aurea of Emperor Nero (reg AD 54–68) in Rome, Hadrian’s Villa at Tivoli and the Maya site of Tikal in Mesoamerica, they are usually associated with 20th-century urban environments. They may range from a few simple marks to compositions that are complex and colourful. Motives for the production of such marks may include a desire for recognition that is public in nature, and/or the need to appropriate a public space or someone else’s private space for group or individual purposes. Graffiti are recognized as a way of dealing with problems of identification in overcrowded or self-denying environments, and are an outlet through which people may choose to publish their thoughts, philosophies or poems. Illegitimate counterparts to the paid, legitimate advertisements on billboards or signs, graffiti utilize the walls of garages, public toilets and gaol cells for their clandestine messages.
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