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Jean Paul Laurens Auction Price Results

Jean Paul Laurens (1838-1921)  Please Register/Login to access your Artfact Alerts

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Jean-Paul LAURENS (1838-1821) Portrait femme Fusain et rehauts d'aquarelle

Lot 2: Jean-Paul LAURENS (1838-1821) Portrait femme Fusain et rehauts d'aquarelle

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Description: Jean-Paul LAURENS (1838-1821)Portrait femmeFusain et rehauts d'aquarelle

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Lot 3: LAURENS, JEAN-PAUL (1838-1921)

Description: The vengeance of Urban VI Oil/canvas 33x40 inches (83.9x101.6 cm) signed (Lower Right).

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Lot 3: LAURENS, JEAN-PAUL (1838-1921)

Description: The vengeance of Urban VI Oil/canvas 33x40 inches (83.9x101.6 cm) signed (Lower Right).

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Lot 3: LAURENS, JEAN-PAUL (1838-1921)

Description: The vengeance of Urban VI Oil/canvas 33x40 inches (83.9x101.6 cm) signed (Lower Right).

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Lot 3: LAURENS, JEAN-PAUL (1838-1921)

Description: The vengeance of Urban VI Oil/canvas 33x40 inches (83.9x101.6 cm) signed (Lower Right).

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Lot 3: JEAN PAUL LAURENS (FRENCH, 1838-1921)

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Description: THE VENGEANCE OF URBAN VI signed "Jean-Paul Laurens", lower right and inscribed with title on an old label affixed to the reverse - - oil on canvas 33 x 40 in. (83.9 x 101.6 cm.).

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Lot 3: JEAN PAUL LAURENS (FRENCH, 1838-1921)

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Description: THE VENGEANCE OF URBAN VI signed "Jean-Paul Laurens", lower right and inscribed with title on an old label affixed to the reverse - - oil on canvas 33 x 40 in. (83.9 x 101.6 cm.).

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Lot 3: JEAN PAUL LAURENS (FRENCH, 1838-1921)

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Description: THE VENGEANCE OF URBAN VI signed "Jean-Paul Laurens", lower right and inscribed with title on an old label affixed to the reverse - - oil on canvas 33 x 40 in. (83.9 x 101.6 cm.).

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Lot 3: JEAN PAUL LAURENS (FRENCH, 1838-1921)

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Description: THE VENGEANCE OF URBAN VI signed "Jean-Paul Laurens", lower right and inscribed with title on an old label affixed to the reverse - - oil on canvas 33 x 40 in. (83.9 x 101.6 cm.).

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Lot 15: LAURENS, JEAN-PAUL (1838-1921)

Description: Les supplicies, de la suite Recits des Temps Merovingiens Indian ink 14x11 inches (35.8x27.4 cm) Monog. (Lower Right).

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Lot 15: LAURENS, JEAN-PAUL (1838-1921)

Description: Les supplicies, de la suite Recits des Temps Merovingiens Indian ink 14x11 inches (35.8x27.4 cm) Monog. (Lower Right).

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Lot 15: LAURENS, JEAN-PAUL (1838-1921)

Description: Les supplicies, de la suite Recits des Temps Merovingiens Indian ink 14x11 inches (35.8x27.4 cm) Monog. (Lower Right).

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Lot 15: LAURENS, JEAN-PAUL (1838-1921)

Description: Les supplicies, de la suite Recits des Temps Merovingiens Indian ink 14x11 inches (35.8x27.4 cm) Monog. (Lower Right).

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Lot 25: LAURENS, Jean-Paul (1838-1921)

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Description: Interior with three seated figures Ink/paper 8,7 x 3,9 inches (22.0 x 10.0in) Monog. left Illustrated.

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Lot 25: LAURENS, Jean-Paul (1838-1921)

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Description: Interior with three seated figures Ink/paper 8,7 x 3,9 inches (22.0 x 10.0in) Monog. left Illustrated.

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Lot 25: LAURENS, Jean-Paul (1838-1921)

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Description: Interior with three seated figures Ink/paper 8,7 x 3,9 inches (22.0 x 10.0in) Monog. left Illustrated.

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Lot 25: LAURENS, Jean-Paul (1838-1921)

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Description: Interior with three seated figures Ink/paper 8,7 x 3,9 inches (22.0 x 10.0in) Monog. left Illustrated.

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Lot 26: LAURENS, Jean-Paul (1838-1921)

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Description: Illustration for 'Recits des Temps merovingiens' Ink/paper 88,6 x 41,3 inches (225.0 x 105.0in) Monog. lower right Illustrated.

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Lot 26: LAURENS, Jean-Paul (1838-1921)

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Description: Illustration for 'Recits des Temps merovingiens' Ink/paper 88,6 x 41,3 inches (225.0 x 105.0in) Monog. lower right Illustrated.

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Lot 26: LAURENS, Jean-Paul (1838-1921)

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Description: Illustration for 'Recits des Temps merovingiens' Ink/paper 88,6 x 41,3 inches (225.0 x 105.0in) Monog. lower right Illustrated.

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Lot 26: LAURENS, Jean-Paul (1838-1921)

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Description: Illustration for 'Recits des Temps merovingiens' Ink/paper 88,6 x 41,3 inches (225.0 x 105.0in) Monog. lower right Illustrated.

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Lot 36: LAURENS, JEAN-PAUL (1838-1921)

Description: Louis VI, Roi de France oil/canvas 17x13 inches (42x33 cm) signed (Lower Right).

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Lot 36: LAURENS, JEAN-PAUL (1838-1921)

Description: Louis VI, Roi de France oil/canvas 17x13 inches (42x33 cm) signed (Lower Right).

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Lot 36: LAURENS, JEAN-PAUL (1838-1921)

Description: Louis VI, Roi de France oil/canvas 17x13 inches (42x33 cm) signed (Lower Right).

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Lot 36: LAURENS, JEAN-PAUL (1838-1921)

Description: Louis VI, Roi de France oil/canvas 17x13 inches (42x33 cm) signed (Lower Right).

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Lot 45: *JEAN-PAUL LAURENS (FRENCH, 1838-1921)

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Description: "LA SEPARATION DE BERTHE ET DE ROBERT LE PIEUX" signed oil on canvas 46 3/4 by 36 in. 118.7 by 91.4 cm. The related work, The Excommunication of Robert the Pious, 1875, exhibited in the Paris Salon of 1875, is now at the Musee d'Orsay, Paris. Provenance: Goupil Galleries, New York Roy Miles, London.

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Lot 45: *JEAN-PAUL LAURENS (FRENCH, 1838-1921)

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Description: "LA SEPARATION DE BERTHE ET DE ROBERT LE PIEUX" signed oil on canvas 46 3/4 by 36 in. 118.7 by 91.4 cm. The related work, The Excommunication of Robert the Pious, 1875, exhibited in the Paris Salon of 1875, is now at the Musee d'Orsay, Paris. Provenance: Goupil Galleries, New York Roy Miles, London.

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Lot 45: *JEAN-PAUL LAURENS (FRENCH, 1838-1921)

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Description: "LA SEPARATION DE BERTHE ET DE ROBERT LE PIEUX" signed oil on canvas 46 3/4 by 36 in. 118.7 by 91.4 cm. The related work, The Excommunication of Robert the Pious, 1875, exhibited in the Paris Salon of 1875, is now at the Musee d'Orsay, Paris. Provenance: Goupil Galleries, New York Roy Miles, London.

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Lot 45: *JEAN-PAUL LAURENS (FRENCH, 1838-1921)

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Description: "LA SEPARATION DE BERTHE ET DE ROBERT LE PIEUX" signed oil on canvas 46 3/4 by 36 in. 118.7 by 91.4 cm. The related work, The Excommunication of Robert the Pious, 1875, exhibited in the Paris Salon of 1875, is now at the Musee d'Orsay, Paris. Provenance: Goupil Galleries, New York Roy Miles, London.

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Lot 61: LAURENS, Jean Paul (1838-1921, French)

Description: Allegorie, s.d.Fevrier 1871 wash Oil Painting (4x8in).

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Lot 61: LAURENS, Jean Paul (1838-1921, French)

Description: Allegorie, s.d.Fevrier 1871 wash Oil Painting (4x8in).

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Lot 61: LAURENS, Jean Paul (1838-1921, French)

Description: Allegorie, s.d.Fevrier 1871 wash Oil Painting (4x8in).

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Lot 61: LAURENS, Jean Paul (1838-1921, French)

Description: Allegorie, s.d.Fevrier 1871 wash Oil Painting (4x8in).

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 Jean-Paul Laurens 1838 - 1921 , Study for the central figure in the ceiling of the Palais de la Legion d'Honneur oil on canvas. Together with Jean-Paul Laurens, The Fire, oil on panel, 16 by 21 in. (40.7 by 53.5 cm.). (2 works)

Lot 61: Jean-Paul Laurens 1838 - 1921 , Study for the central figure in the ceiling of the Palais de la Legion d'Honneur oil on canvas. Together with Jean-Paul Laurens, The Fire, oil on panel, 16 by 21 in. (40.7 by 53.5 cm.). (2 works)

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Description: signed with initials lower left; titled upper left oil on canvas. Together with Jean-Paul Laurens, The Fire, oil on panel, 16 by 21 in. (40.7 by 53.5 cm.). (2 works)

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Lot 69: LAURENS, Jean Paul (1838-1921, French)

Description: Le prisonnier, s. Oil Painting (26x20in).

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Lot 69: LAURENS, Jean Paul (1838-1921, French)

Description: Le prisonnier, s. Oil Painting (26x20in).

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Lot 69: LAURENS, Jean Paul (1838-1921, French)

Description: Le prisonnier, s. Oil Painting (26x20in).

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Lot 69: LAURENS, Jean Paul (1838-1921, French)

Description: Le prisonnier, s. Oil Painting (26x20in).

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Jean-Paul Laurens Fourquevaux, 1838 - Paris, 1921 Etude pour la figure d'Anne du Bourg Huile sur toile (Toile d'origine)

Lot 77: Jean-Paul Laurens Fourquevaux, 1838 - Paris, 1921 Etude pour la figure d'Anne du Bourg Huile sur toile (Toile d'origine)

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Description: Jean-Paul Laurens Fourquevaux, 1838 - Paris, 1921 Etude pour la figure d'Anne du Bourg Huile sur toile (Toile d'origine) Signée du monogramme de l'artiste en bas à droite Toile de la maison Paul Foinet, rue Notre-Dame des Champs Sans cadre 'STUDY FOR ANNE DU BOURG', OIL ON CANVAS, SIGNED, BY JEAN-PAUL LAURENS h: 46 w: 32 cm Commentaire : Entre 1889 et 1903, Jean-Paul Laurens réalisa un ensemble décoratif commandé par la ville de Paris pour orner l'Hôtel de ville. Ce cycle devait illustrer les grandes figures historiques de la capitale. Notre esquisse est préparatoire à l'une des compositions du salon Lobau : Anne du Bourg apostrophant Henri II au parlement de Paris (fig. 1). Ce tableau représente la séance du 10 juin 1559 au Parlement de Paris, réunie pour établir la procédure à suivre dans les affaires de religion. Au cours de la Mercuriale, Anne du Bourg, conseiller au Parlement et calviniste, s'adresse à Henri II, prônant la modération dans sa politique de répression contre les protestants. Il sera arrêté, puis condamné comme hérétique à être pendu en place de Grève et brûlé sur un bûcher. Son procès marque l'énonciation d'un droit de résistance au pouvoir du roi. Notre esquisse est préparatoire à la figure d'Anne du Bourg, placée au centre de la composition finale. Il se présente dos au spectateur, drapé de rouge, le bras levé, pointé vers Henri II. Une autre esquisse, représentant un conseiller de dos, est conservée au musée d'Orsay (RF1976-4). Ces études témoignent des recherches du peintre pour camper cette vaste composition. Dans cette dernière, l'espace vide au premier plan, le jeu des diagonales, le geste d'admonestation d'Anne du Bourg et la position du roi sur l'estrade dans une mise en scène toute théâtrale révèlent la grande maîtrise que Laurens avait acquise dans le traitement de sujets historiques pour le grand décor. On lui doit également certains des plus importants décors du XIXe siècle, dont La Mort de sainte Geneviève au Panthéon de Paris, le plafond du théâtre de l'Odéon, la coupole du théâtre de Castres et la salle des Illustres au Capitole de Toulouse.

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Lot 86: LAURENS, JEAN-PAUL (1838-1921)

Description: Danse au harem oil/panel 13x16 inches (32.8x41.5 cm) signed (Lower Left).

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Lot 86: LAURENS, JEAN-PAUL (1838-1921)

Description: Danse au harem oil/panel 13x16 inches (32.8x41.5 cm) signed (Lower Left).

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Lot 86: LAURENS, JEAN-PAUL (1838-1921)

Description: Danse au harem oil/panel 13x16 inches (32.8x41.5 cm) signed (Lower Left).

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Lot 86: LAURENS, JEAN-PAUL (1838-1921)

Description: Danse au harem oil/panel 13x16 inches (32.8x41.5 cm) signed (Lower Left).

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Lot 90: LAURENS, JEAN-PAUL (1838-1921)

Description: Femme aux deux enfants (la mere des Cracques) oil/canvas 18.3x12.8 in (46.5x32.5 cm) Monog. (Lower Right).

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Lot 90: LAURENS, JEAN-PAUL (1838-1921)

Description: Femme aux deux enfants (la mere des Cracques) oil/canvas 18.3x12.8 in (46.5x32.5 cm) Monog. (Lower Right).

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Lot 90: LAURENS, JEAN-PAUL (1838-1921)

Description: Femme aux deux enfants (la mere des Cracques) oil/canvas 18.3x12.8 in (46.5x32.5 cm) Monog. (Lower Right).

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Lot 90: LAURENS, JEAN-PAUL (1838-1921)

Description: Femme aux deux enfants (la mere des Cracques) oil/canvas 18.3x12.8 in (46.5x32.5 cm) Monog. (Lower Right).

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Jean-Paul LAURENS - Étude d'un chevalier

Lot 96: Jean-Paul LAURENS - Étude d'un chevalier

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Description: Jean-Paul LAURENS - Étude d'un chevalier

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Lot 97: JEAN PAUL LAURENS (FRENCH, 1838-1921)

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Description: A Gentleman in a Red Velvet Coat signed J. Paul Laurens lower right - - oil on canvas 18 x 15 in. (45.7 x 38.1 cm.).

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Lot 97: JEAN PAUL LAURENS (FRENCH, 1838-1921)

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Description: A Gentleman in a Red Velvet Coat signed J. Paul Laurens lower right - - oil on canvas 18 x 15 in. (45.7 x 38.1 cm.).

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Lot 97: JEAN PAUL LAURENS (FRENCH, 1838-1921)

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Description: A Gentleman in a Red Velvet Coat signed J. Paul Laurens lower right - - oil on canvas 18 x 15 in. (45.7 x 38.1 cm.).

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Lot 97: JEAN PAUL LAURENS (FRENCH, 1838-1921)

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Description: A Gentleman in a Red Velvet Coat signed J. Paul Laurens lower right - - oil on canvas 18 x 15 in. (45.7 x 38.1 cm.).

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Lot 97: *Jean-Paul Laurens (French, 1838-1921)

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Description: AFTER THE INTERROGATION signed oil on canvas 321/4 by 48 in. 81.9 by 121.9 cm. "Laurens was a learned man who took pleasure in digging up little-known historical facts which he illustrated with great attention to detail. Particularly attracted to tragic events of the Middle Ages, he undertook a subject only after immersing himself in specialized texts. The source for the subject of this painting was Jean Barthelemy Hareau's Bernard Delicieux et l'Inquisition albigeoise (1330-1320). Haureau, like Laurens, was violently anticlerical, and Laurens had drawn inspiration from this particular work twice before. This painting was the third in a series [of three] devoted to the life of the Franciscan Delicieux, who had denounced the cruelty of the repression (ordered by the Inquisition and carried out by the Dominicans) which had been forced upon the south of France at the end of the twelfth century after the Catharist schism was crushed'' (Alain Klepper, in The Other Nineteenth Century, p. 134). The first painting in the series, La delivrance des emmures de Carcassonne (The Release of the Prisoners of Carcassonne), exhibited at the Paris Salon of 1879, is now in the Musee des Beaux-Arts, Carcassonne. This scene of emancipation was followed by L'interrogatoire devant le tribunal de l'Inquisition (The Interrogation before the Court of the Inquisition), exhibited at the Salon of 1881, and now in the Hermitage Museum, St. Petersburg. Despite torture, Delicieux refused to admit to any of the charges laid against him, and with bloodied hands and feet was returned to his cell, the subject of the present work. Provenance: Noah L. Butkin, Cleveland, Ohio Shepherd Gallery, New York (by 1977; as Presentation of the Body of Saint Francis to the Abbess Saint Claire) Acquired by the present owner in 1977 Exhibited: Ottawa, The National Gallery of Canada; Victoria; Edmonton; Calgary; Montreal; Toronto: The Other Nineteenth Century, 1978-9, No. 43 Literature: Emmanuel Fougerat, Jean-Paul Laurens, Album d'art retrospectif, No. 8, series Drogues et Peintures, Paris, 1937, Pl. VII, p. 13 Louise d'Argencourt and Douglas Druik, ed., The Other Nineteenth Century, Ottawa, 1978, pp. 134-5, illustrated p. 135.

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Lot 97: *Jean-Paul Laurens (French, 1838-1921)

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Description: AFTER THE INTERROGATION signed oil on canvas 321/4 by 48 in. 81.9 by 121.9 cm. "Laurens was a learned man who took pleasure in digging up little-known historical facts which he illustrated with great attention to detail. Particularly attracted to tragic events of the Middle Ages, he undertook a subject only after immersing himself in specialized texts. The source for the subject of this painting was Jean Barthelemy Hareau's Bernard Delicieux et l'Inquisition albigeoise (1330-1320). Haureau, like Laurens, was violently anticlerical, and Laurens had drawn inspiration from this particular work twice before. This painting was the third in a series [of three] devoted to the life of the Franciscan Delicieux, who had denounced the cruelty of the repression (ordered by the Inquisition and carried out by the Dominicans) which had been forced upon the south of France at the end of the twelfth century after the Catharist schism was crushed'' (Alain Klepper, in The Other Nineteenth Century, p. 134). The first painting in the series, La delivrance des emmures de Carcassonne (The Release of the Prisoners of Carcassonne), exhibited at the Paris Salon of 1879, is now in the Musee des Beaux-Arts, Carcassonne. This scene of emancipation was followed by L'interrogatoire devant le tribunal de l'Inquisition (The Interrogation before the Court of the Inquisition), exhibited at the Salon of 1881, and now in the Hermitage Museum, St. Petersburg. Despite torture, Delicieux refused to admit to any of the charges laid against him, and with bloodied hands and feet was returned to his cell, the subject of the present work. Provenance: Noah L. Butkin, Cleveland, Ohio Shepherd Gallery, New York (by 1977; as Presentation of the Body of Saint Francis to the Abbess Saint Claire) Acquired by the present owner in 1977 Exhibited: Ottawa, The National Gallery of Canada; Victoria; Edmonton; Calgary; Montreal; Toronto: The Other Nineteenth Century, 1978-9, No. 43 Literature: Emmanuel Fougerat, Jean-Paul Laurens, Album d'art retrospectif, No. 8, series Drogues et Peintures, Paris, 1937, Pl. VII, p. 13 Louise d'Argencourt and Douglas Druik, ed., The Other Nineteenth Century, Ottawa, 1978, pp. 134-5, illustrated p. 135.

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Lot 97: *Jean-Paul Laurens (French, 1838-1921)

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Description: AFTER THE INTERROGATION signed oil on canvas 321/4 by 48 in. 81.9 by 121.9 cm. "Laurens was a learned man who took pleasure in digging up little-known historical facts which he illustrated with great attention to detail. Particularly attracted to tragic events of the Middle Ages, he undertook a subject only after immersing himself in specialized texts. The source for the subject of this painting was Jean Barthelemy Hareau's Bernard Delicieux et l'Inquisition albigeoise (1330-1320). Haureau, like Laurens, was violently anticlerical, and Laurens had drawn inspiration from this particular work twice before. This painting was the third in a series [of three] devoted to the life of the Franciscan Delicieux, who had denounced the cruelty of the repression (ordered by the Inquisition and carried out by the Dominicans) which had been forced upon the south of France at the end of the twelfth century after the Catharist schism was crushed'' (Alain Klepper, in The Other Nineteenth Century, p. 134). The first painting in the series, La delivrance des emmures de Carcassonne (The Release of the Prisoners of Carcassonne), exhibited at the Paris Salon of 1879, is now in the Musee des Beaux-Arts, Carcassonne. This scene of emancipation was followed by L'interrogatoire devant le tribunal de l'Inquisition (The Interrogation before the Court of the Inquisition), exhibited at the Salon of 1881, and now in the Hermitage Museum, St. Petersburg. Despite torture, Delicieux refused to admit to any of the charges laid against him, and with bloodied hands and feet was returned to his cell, the subject of the present work. Provenance: Noah L. Butkin, Cleveland, Ohio Shepherd Gallery, New York (by 1977; as Presentation of the Body of Saint Francis to the Abbess Saint Claire) Acquired by the present owner in 1977 Exhibited: Ottawa, The National Gallery of Canada; Victoria; Edmonton; Calgary; Montreal; Toronto: The Other Nineteenth Century, 1978-9, No. 43 Literature: Emmanuel Fougerat, Jean-Paul Laurens, Album d'art retrospectif, No. 8, series Drogues et Peintures, Paris, 1937, Pl. VII, p. 13 Louise d'Argencourt and Douglas Druik, ed., The Other Nineteenth Century, Ottawa, 1978, pp. 134-5, illustrated p. 135.

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Lot 97: *Jean-Paul Laurens (French, 1838-1921)

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Description: AFTER THE INTERROGATION signed oil on canvas 321/4 by 48 in. 81.9 by 121.9 cm. "Laurens was a learned man who took pleasure in digging up little-known historical facts which he illustrated with great attention to detail. Particularly attracted to tragic events of the Middle Ages, he undertook a subject only after immersing himself in specialized texts. The source for the subject of this painting was Jean Barthelemy Hareau's Bernard Delicieux et l'Inquisition albigeoise (1330-1320). Haureau, like Laurens, was violently anticlerical, and Laurens had drawn inspiration from this particular work twice before. This painting was the third in a series [of three] devoted to the life of the Franciscan Delicieux, who had denounced the cruelty of the repression (ordered by the Inquisition and carried out by the Dominicans) which had been forced upon the south of France at the end of the twelfth century after the Catharist schism was crushed'' (Alain Klepper, in The Other Nineteenth Century, p. 134). The first painting in the series, La delivrance des emmures de Carcassonne (The Release of the Prisoners of Carcassonne), exhibited at the Paris Salon of 1879, is now in the Musee des Beaux-Arts, Carcassonne. This scene of emancipation was followed by L'interrogatoire devant le tribunal de l'Inquisition (The Interrogation before the Court of the Inquisition), exhibited at the Salon of 1881, and now in the Hermitage Museum, St. Petersburg. Despite torture, Delicieux refused to admit to any of the charges laid against him, and with bloodied hands and feet was returned to his cell, the subject of the present work. Provenance: Noah L. Butkin, Cleveland, Ohio Shepherd Gallery, New York (by 1977; as Presentation of the Body of Saint Francis to the Abbess Saint Claire) Acquired by the present owner in 1977 Exhibited: Ottawa, The National Gallery of Canada; Victoria; Edmonton; Calgary; Montreal; Toronto: The Other Nineteenth Century, 1978-9, No. 43 Literature: Emmanuel Fougerat, Jean-Paul Laurens, Album d'art retrospectif, No. 8, series Drogues et Peintures, Paris, 1937, Pl. VII, p. 13 Louise d'Argencourt and Douglas Druik, ed., The Other Nineteenth Century, Ottawa, 1978, pp. 134-5, illustrated p. 135.

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Lot 97: LAURENS, Jean Paul (1838-1921, French)

Description: After the interrogation, s. prov.lit.exhib. Oil Painting (48x32in).

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Lot 97: LAURENS, Jean Paul (1838-1921, French)

Description: After the interrogation, s. prov.lit.exhib. Oil Painting (48x32in).

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Lot 97: LAURENS, Jean Paul (1838-1921, French)

Description: After the interrogation, s. prov.lit.exhib. Oil Painting (48x32in).

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Lot 97: LAURENS, Jean Paul (1838-1921, French)

Description: After the interrogation, s. prov.lit.exhib. Oil Painting (48x32in).

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Lot 97: LAURENS, JEAN-PAUL (1838-1921)

Description: Gentleman in a red velvet coat Oil/canvas 18x15 inches (45.7x38.1 cm) signed (Lower Right).

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Lot 97: LAURENS, JEAN-PAUL (1838-1921)

Description: Gentleman in a red velvet coat Oil/canvas 18x15 inches (45.7x38.1 cm) signed (Lower Right).

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Lot 97: LAURENS, JEAN-PAUL (1838-1921)

Description: Gentleman in a red velvet coat Oil/canvas 18x15 inches (45.7x38.1 cm) signed (Lower Right).

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Lot 97: LAURENS, JEAN-PAUL (1838-1921)

Description: Gentleman in a red velvet coat Oil/canvas 18x15 inches (45.7x38.1 cm) signed (Lower Right).

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Jean-Paul Laurens Fouquevoux, 1838 - Paris, 1921 Le jugement de Salomon, d'après Valentin de Boulogne Huile sur toile

Lot 98: Jean-Paul Laurens Fouquevoux, 1838 - Paris, 1921 Le jugement de Salomon, d'après Valentin de Boulogne Huile sur toile

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Description: Jean-Paul Laurens Fouquevoux, 1838 - Paris, 1921 Le jugement de Salomon, d'après Valentin de Boulogne Huile sur toile Monogrammée 'JPL' en bas à gauche h: 18,50 w: 24 cm Provenance : Collection particulière de l'Est de la France Commentaire : D'après le tableau de Valentin de Boulogne exécuté en 1625 et actuellement conservé au Musée du Louvre.

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Lot 108: JEAN PAUL LAURENS (FRENCH, 1838-1921)

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Description: THE EXIT OF THE SOLDIER signed J.Paul Laurens lower right - - watercolor on paperboard 21 x 16 1/2 in. (53 x 42 cm.) (sight).

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Lot 108: JEAN PAUL LAURENS (FRENCH, 1838-1921)

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Description: THE EXIT OF THE SOLDIER signed J.Paul Laurens lower right - - watercolor on paperboard 21 x 16 1/2 in. (53 x 42 cm.) (sight).

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Lot 108: JEAN PAUL LAURENS (FRENCH, 1838-1921)

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Description: THE EXIT OF THE SOLDIER signed J.Paul Laurens lower right - - watercolor on paperboard 21 x 16 1/2 in. (53 x 42 cm.) (sight).

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Lot 108: JEAN PAUL LAURENS (FRENCH, 1838-1921)

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Description: THE EXIT OF THE SOLDIER signed J.Paul Laurens lower right - - watercolor on paperboard 21 x 16 1/2 in. (53 x 42 cm.) (sight).

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ATTRIBUÉ À JEAN-PAUL LAURENS (FOURQUEROUX 1838 - PARIS 1921)

Lot 127: ATTRIBUÉ À JEAN-PAUL LAURENS (FOURQUEROUX 1838 - PARIS 1921)

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Description: ETUDE D'ÉVÊQUE ET ÉTUDE DE FEMME ET ENFANTS

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Lot 128: LAURENS, JEAN-PAUL (1838-1921)

Description: Portrait d'un Franc Huile/toile 33x25 cm Monog. lower right.

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Lot 128: LAURENS, JEAN-PAUL (1838-1921)

Description: Portrait d'un Franc Huile/toile 33x25 cm Monog. lower right.

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Lot 128: LAURENS, JEAN-PAUL (1838-1921)

Description: Portrait d'un Franc Huile/toile 33x25 cm Monog. lower right.

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Lot 128: LAURENS, JEAN-PAUL (1838-1921)

Description: Portrait d'un Franc Huile/toile 33x25 cm Monog. lower right.

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Jean-Paul Laurens O/C-Sleigh Ride (1838-1921)

Lot 145: Jean-Paul Laurens O/C-Sleigh Ride (1838-1921)

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Description: Jean-Paul Laurens O/C-Sleigh Ride (1838-1921). Oil on canvas; a winter scene with two men in a sleigh, drawn by 6 horses, being chased by wolves. Beautiful sunset sky with a few trees in the upper right corner. Signed, lower right "Jean Laurens". Some loss to the frame, 2 minor tears to canvas. 20"W x 15"H.

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Attribuéà Jean-Paul Laurens (1838 - 1921) Etude d’enfants et femme et évêque dans un cadre À vue double, deux esquisses Huile et cra...

Lot 148: Attribuéà Jean-Paul Laurens (1838 - 1921) Etude d’enfants et femme et évêque dans un cadre À vue double, deux esquisses Huile et cra...

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Description: Attribuéà Jean-Paul Laurens (1838 - 1921) Etude d'enfants et femme et évêque dans un cadre À vue double, deux esquisses Huile et crayon sur toile d'origine 75 x 112 cm

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 Jean-Paul Laurens , French 1838 - 1921 
 le chemin de la Maloche oil on canvas

Lot 153: Jean-Paul Laurens , French 1838 - 1921 le chemin de la Maloche oil on canvas

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Description: signed and dated Jean Paul Laurens / 1878 lower right oil on canvas

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Jean-Paul Laurens 1838-1921 , Study for the central figure in the ceiling of the Palais de la Legion d'Honneur oil on canvas

Lot 156: Jean-Paul Laurens 1838-1921 , Study for the central figure in the ceiling of the Palais de la Legion d'Honneur oil on canvas

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Description: signed with initials lower left, titled upper left oil on canvas

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Lot 162: LAURENS, Jean Paul (1838-1921, French)

Description: Portrait d'une jeune orientale, mono. Oil Painting (11x16in).

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Lot 162: LAURENS, Jean Paul (1838-1921, French)

Description: Portrait d'une jeune orientale, mono. Oil Painting (11x16in).

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Lot 162: LAURENS, Jean Paul (1838-1921, French)

Description: Portrait d'une jeune orientale, mono. Oil Painting (11x16in).

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Lot 162: LAURENS, Jean Paul (1838-1921, French)

Description: Portrait d'une jeune orientale, mono. Oil Painting (11x16in).

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Lot 165: Attribué à Jean Paul LAURENS (1838 - 1921)

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Description: Attribué à Jean Paul LAURENS (1838 - 1921) Portrait présumé du fils de l'artiste Carton 38 x 34 cm Sans cadre

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Lot 170: Jean-Paul LAURENS (Fourquevoux 1838 - Paris 1921)

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Description: Jean-Paul LAURENS (Fourquevoux 1838 - Paris 1921) Un évêque bénissant un enfant Toile 109 x 91 cm Signée en haut à gauche : JEAN PAU...

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Lot 173: LAURENS, JEAN-PAUL (1838-1921)

Description: Woman reading at a table Oil/canvas 32x25.5 in (81.2x64.7 cm) signed.

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Lot 173: LAURENS, JEAN-PAUL (1838-1921)

Description: Woman reading at a table Oil/canvas 32x25.5 in (81.2x64.7 cm) signed.

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Lot 173: LAURENS, JEAN-PAUL (1838-1921)

Description: Woman reading at a table Oil/canvas 32x25.5 in (81.2x64.7 cm) signed.

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Lot 173: LAURENS, JEAN-PAUL (1838-1921)

Description: Woman reading at a table Oil/canvas 32x25.5 in (81.2x64.7 cm) signed.

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