Thomas Matthews Rooke Auction Price Results

Lot 9: 19th Century oil on canvas by Thomas Matthews Rooke (British 1842 - 1942)

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Description: Excellent condition,Image measures 24.5 by 20.5 inches and frame 32 by 28.5 inches

Lot 10: ROOKE, THOMAS MATTHEW (1842-1942)

Description: Part of the interior of Siena cathedral, 1909 Watercolour 51x33 cm (20x13 in) signed & dated.

Lot 10: ROOKE, THOMAS MATTHEW (1842-1942)

Description: Part of the interior of Siena cathedral, 1909 Watercolour 51x33 cm (20x13 in) signed & dated.

Lot 10: ROOKE, THOMAS MATTHEW (1842-1942)

Description: Part of the interior of Siena cathedral, 1909 Watercolour 51x33 cm (20x13 in) signed & dated.

Lot 10: ROOKE, THOMAS MATTHEW (1842-1942)

Description: Part of the interior of Siena cathedral, 1909 Watercolour 51x33 cm (20x13 in) signed & dated.

Lot 13: Thomas Matthews Rooke (British, 1842-1942) Cathedral interior

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Description: Cathedral interiorsigned 'TM Rooke' (lower left), watercolour 51.5 x 26cm (20 1/4 x 10 1/4in).

Lot 13: Thomas Matthews Rooke, British (1842-1942), Seated Youth, pen and wash over pencil, 7 3/4 x 5 in. (19 x 13 cm)

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Description:

Lot 18: Thomas Matthews Rooke RWS (1842-1942) Portrait

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Description: Thomas Matthews Rooke RWS (1842-1942) Portrait study of Dr. Robert Nevin, Rector of the American Church in Rome watercolour, inscribed with notes to the mosaicists 62 x 40 cm (24 1/2 x 15 3/4 in) Note: a study for the mural decoration begun by Burne-Jones and completed by Rooke Provenance: Mrs Noel Rooke; Tom Hancock

Lot 19: Thomas Matthews Rooke, R.W.S. (1842-1942)

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Description: Thomas Matthews Rooke, R.W.S. (1842-1942) Apollo and the Muses signed and inscribed 'no II/Parnassus [crossed out] Apollo and the Muses/T.M. Rooke/7 Queen Anne's Gardens/Bedford Park/Turnham Green' (on the wooden backing)oil on canvas, circular 20 x 20 in. (52 x 52 cm.) The original frame inscribed in relief 'Her royalties Polymnia lays down/dance on Terpsichore/Urania sees/the stars/go round/wan/dering sings Calliope/the pipes Euterpe culls from off the ground/Thalia mocks Melpomene who/arms herself for play/with weapons/of divin/ity/Erato's/lyre/Apollo sounds/Clio knows/all man's strange history'.

Lot 23: ROOKE, T M (1842-1942, British)

Description: Place du marche a Noyon, W/C Works on paper (13x22in).

Lot 23: ROOKE, T M (1842-1942, British)

Description: Place du marche a Noyon, W/C Works on paper (13x22in).

Lot 23: ROOKE, T M (1842-1942, British)

Description: Place du marche a Noyon, W/C Works on paper (13x22in).

Lot 23: ROOKE, T M (1842-1942, British)

Description: Place du marche a Noyon, W/C Works on paper (13x22in).

Lot 24a: ROOKE, THOMAS MATTHEW (1842-1942)

Description: Studies of classical maidens dancing Watercolour ().

Lot 24a: ROOKE, THOMAS MATTHEW (1842-1942)

Description: Studies of classical maidens dancing Watercolour ().

Lot 24a: ROOKE, THOMAS MATTHEW (1842-1942)

Description: Studies of classical maidens dancing Watercolour ().

Lot 24a: ROOKE, THOMAS MATTHEW (1842-1942)

Description: Studies of classical maidens dancing Watercolour ().

Lot 26: Thomas Matthews Rooke, R.W.S. (1842-1942)

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Description: Fairlight, Sussexinscribed and dated 'Fairlight 1868' (lower left)pencil and watercolour, heightened with touches of bodycolour7 3/4 x 9 in. (19.8 x 23 cm.)

Lot 26: Thomas Matthew Rooke, R.W.S. (British, 1842-1942)

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Description: VENUS signed with initials TMR, watercolor and ink on paper. Sheet: 9¾ by 8 5/8 in. 24.8 by 21.9cm. Image: 7¼ by 7¼in. 18.4 by 18.4cm. Provenance: Julian Hartnoll, London; Shepherd Gallery, New York Exhibited: Glasgow, Scotland, 1890; New York, Shepherd, Gallery, 1983 Literature: English 19th Century Pre-Raphelite and Academic Drawings, Watercolors, Graphics, Paintings and Sculpture, Shepherd Gallery, New York, 1983, no. 86, illustrated.

Lot 26: Thomas Matthew Rooke, R.W.S. (British, 1842-1942)

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Description: VENUS signed with initials TMR, watercolor and ink on paper. Sheet: 9¾ by 8 5/8 in. 24.8 by 21.9cm. Image: 7¼ by 7¼in. 18.4 by 18.4cm. Provenance: Julian Hartnoll, London; Shepherd Gallery, New York Exhibited: Glasgow, Scotland, 1890; New York, Shepherd, Gallery, 1983 Literature: English 19th Century Pre-Raphelite and Academic Drawings, Watercolors, Graphics, Paintings and Sculpture, Shepherd Gallery, New York, 1983, no. 86, illustrated.

Lot 26: Thomas Matthew Rooke, R.W.S. (British, 1842-1942)

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Description: VENUS signed with initials TMR, watercolor and ink on paper. Sheet: 9¾ by 8 5/8 in. 24.8 by 21.9cm. Image: 7¼ by 7¼in. 18.4 by 18.4cm. Provenance: Julian Hartnoll, London; Shepherd Gallery, New York Exhibited: Glasgow, Scotland, 1890; New York, Shepherd, Gallery, 1983 Literature: English 19th Century Pre-Raphelite and Academic Drawings, Watercolors, Graphics, Paintings and Sculpture, Shepherd Gallery, New York, 1983, no. 86, illustrated.

Lot 26: Thomas Matthew Rooke, R.W.S. (British, 1842-1942)

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Description: VENUS signed with initials TMR, watercolor and ink on paper. Sheet: 9¾ by 8 5/8 in. 24.8 by 21.9cm. Image: 7¼ by 7¼in. 18.4 by 18.4cm. Provenance: Julian Hartnoll, London; Shepherd Gallery, New York Exhibited: Glasgow, Scotland, 1890; New York, Shepherd, Gallery, 1983 Literature: English 19th Century Pre-Raphelite and Academic Drawings, Watercolors, Graphics, Paintings and Sculpture, Shepherd Gallery, New York, 1983, no. 86, illustrated.

Lot 27: Thomas Matthews Rooke, R.W.S. (1842-1942)

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Description: Cottage on headland near Hastings, early morninginscribed and dated 'Hastings 1868' (lower right)pencil and watercolour3 3/4 x 10 in. (9 1/2 x 25.5 cm)

Lot 30A: Thomas Matthew Rooke (British, 1842-1942)

Description: 'Coutances, Normandy'.Signed and titled, oil on canvas, 46 x 35.5cm (18 1/8 x 14in)

Lot 34: THOMAS MATTHEWS ROOKE, 1842-1942 A FOLIO OF DRAWINGS

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Description: nine, most inscribedone pen and ink, two pencil, three pencil and wash, three watercolourQuantity: 9

Lot 35: THOMAS MATTHEW ROOKE (1842-1942, BRITISH) Signed

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Description: THOMAS MATTHEW ROOKE (1842-1942, BRITISH) Signed Watercolour Figures in Church Interior 14" x 9"

Lot 38: Thomas Matthews Rooke RWS (1842-1942) A waterfall

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Description: Thomas Matthews Rooke RWS (1842-1942) A waterfall at Dala or Bala watercolour, inscribed lower left and dated 'Wednesday aft 17 Sep '84' unframed, 5 x 20 cm (21 1/2 x 8 in) together with nine other landscape watercolours and drawings

Lot 39: Thomas Matthews Rooke RWS (1842-1942) A folio of

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Description: Thomas Matthews Rooke RWS (1842-1942) A folio of 16 figure studies pencil unframed, 29 x 22 cm (11 1/2 x 8 3/4 in) and smaller

Lot 40: Thomas Matthews Rooke RWS (1842-1942) A folio of

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Description: Thomas Matthews Rooke RWS (1842-1942) A folio of ten studies of two heads, some inscribed pencil unframed, 17 x 11 cm (6 1/2 x 4 1/4 in) and smaller

Lot 41: Thomas Matthews Rooke RWS (1842-1942) Study of a

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Description: Thomas Matthews Rooke RWS (1842-1942) Study of a man's head pencil and chalk, inscribed 'Guido', with other studies overmounted on the same sheet unframed, 12.5 x 12 cm (5 x 4 3/4 in) together with 16 pencil studies of heads

Lot 42: Thomas Matthews Rooke RWS (1842-1942) Study for a

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Description: Thomas Matthews Rooke RWS (1842-1942) Study for a lunette chalk and wash on buff paper unframed, 37 x 64 cm (14 1/2 x 25 in) together with nine smaller decorative studies in pencil and/or watercolour

Lot 45: ROOKE, T.M, (1842-1942), a pair of sketches of

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Description: ROOKE, T.M, (1842-1942), a pair of sketches of French towns, mixed media, signed, framed, 25cm x 20cm (2)

Lot 49: ROOKE, THOMAS MATTHEW (1842-1942)

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Description: A haycart seen trough an arch, possibly at Sallenches Watercolour, bodycolour 8.3x13.8 in (21x35 cm).

Lot 49: ROOKE, THOMAS MATTHEW (1842-1942)

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Description: A haycart seen trough an arch, possibly at Sallenches Watercolour, bodycolour 8.3x13.8 in (21x35 cm).

Lot 49: ROOKE, THOMAS MATTHEW (1842-1942)

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Description: A haycart seen trough an arch, possibly at Sallenches Watercolour, bodycolour 8.3x13.8 in (21x35 cm).

Lot 49: ROOKE, THOMAS MATTHEW (1842-1942)

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Description: A haycart seen trough an arch, possibly at Sallenches Watercolour, bodycolour 8.3x13.8 in (21x35 cm).

Lot 49: Thomas Matthews Rooke, R.W.S.

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Description: 1842-1942 cathedral interior signed l.l.: TM ROOKE watercolour 51 by 26 cm., 20 by 10 1/4 in.

Lot 49: Thomas Matthews Rooke, R.W.S.

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Description: 1842-1942 cathedral interior signed l.l.: TM ROOKE watercolour 51 by 26 cm., 20 by 10 1/4 in.

Lot 49: Thomas Matthews Rooke, R.W.S.

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Description: 1842-1942 cathedral interior signed l.l.: TM ROOKE watercolour 51 by 26 cm., 20 by 10 1/4 in.

Lot 49: Thomas Matthews Rooke, R.W.S.

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Description: 1842-1942 cathedral interior signed l.l.: TM ROOKE watercolour 51 by 26 cm., 20 by 10 1/4 in.

Lot 52: ROOKE, THOMAS MATTHEW (1842-1942)

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Description: Auxerre, France, 1903, 1903 Watercolour, pencil 24.6x17.3 in (62.5x44 cm) signed & dated (Lower Right) With another.

Lot 52: ROOKE, THOMAS MATTHEW (1842-1942)

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Description: Auxerre, France, 1903, 1903 Watercolour, pencil 24.6x17.3 in (62.5x44 cm) signed & dated (Lower Right) With another.

Lot 52: ROOKE, THOMAS MATTHEW (1842-1942)

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Description: Auxerre, France, 1903, 1903 Watercolour, pencil 24.6x17.3 in (62.5x44 cm) signed & dated (Lower Right) With another.

Lot 52: ROOKE, THOMAS MATTHEW (1842-1942)

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Description: Auxerre, France, 1903, 1903 Watercolour, pencil 24.6x17.3 in (62.5x44 cm) signed & dated (Lower Right) With another.

Lot 53: Thomas Matthews Rooke (British, 1842-1942) Cottages, Redcoats Green, Hertfordshire; Derelict

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Description: Stables, Redcoats Green, Hertfordshire, a pair signed and inscribed verso, watercolour 33 x 47.6 cm. (13 x 18 3/4 in.) (2). Footnote: The inscriptions on the reverse of the works the above views as being "near Lucas", Redcoats Green. This refers to the notable James Lucas, the "Mad Hermit of Hertfordshire" who lived alone nearby at Elmwood House from 1849 to 1874.

Lot 53: Thomas Matthews Rooke (British, 1842-1942) Cottages, Redcoats Green, Hertfordshire; Derelict

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Description: Stables, Redcoats Green, Hertfordshire, a pair signed and inscribed verso, watercolour 33 x 47.6 cm. (13 x 18 3/4 in.) (2). Footnote: The inscriptions on the reverse of the works the above views as being "near Lucas", Redcoats Green. This refers to the notable James Lucas, the "Mad Hermit of Hertfordshire" who lived alone nearby at Elmwood House from 1849 to 1874.

Lot 53: Thomas Matthews Rooke (British, 1842-1942) Cottages, Redcoats Green, Hertfordshire; Derelict

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Description: Stables, Redcoats Green, Hertfordshire, a pair signed and inscribed verso, watercolour 33 x 47.6 cm. (13 x 18 3/4 in.) (2). Footnote: The inscriptions on the reverse of the works the above views as being "near Lucas", Redcoats Green. This refers to the notable James Lucas, the "Mad Hermit of Hertfordshire" who lived alone nearby at Elmwood House from 1849 to 1874.

Lot 53: Thomas Matthews Rooke (British, 1842-1942) Cottages, Redcoats Green, Hertfordshire; Derelict

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Description: Stables, Redcoats Green, Hertfordshire, a pair signed and inscribed verso, watercolour 33 x 47.6 cm. (13 x 18 3/4 in.) (2). Footnote: The inscriptions on the reverse of the works the above views as being "near Lucas", Redcoats Green. This refers to the notable James Lucas, the "Mad Hermit of Hertfordshire" who lived alone nearby at Elmwood House from 1849 to 1874.

Lot 57: Attributed to Thomas Matthews Rooke (British, 1842-1942)

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Description: St. Christopher watercolour63 x 16.5cm (24 13/16 x 6 1/2in).

Lot 61: Thomas Matthews Rooke (British, 1842-1942) 'A Vanished Corner of Old Chiswick' - The bottom of Devonshire Road in 1896

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Description: 'A Vanished Corner of Old Chiswick' - The bottom of Devonshire Road in 1896signed, inscribed and dated 'TM Rooke Chiswick 1896' (lower right), extensively inscribed verso, watercolour 26.5 x 27.5cm (10 7/16 x 10 13/16in).

Lot 65: Pair T.M. Rooke watercolors (Thomas Matthew Rooke,

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Description: Pair T.M. Rooke watercolors (Thomas Matthew Rooke, British, 1842-1942), interior church scenes with figures: "San Miguel Xenes, Spain" 11-1/4 x 8-1/2 in., modern gilt wood frame, water damage top left affecting 15 percent of surface; "St. Pierre Louvain, Belgium", 11-1/4 x 8-1/4 in., modern painted wood frame, water damage middle left affecting 10 percent of surface, frame resurfaced, both titled and signed lower left "T.M. Rooke", watercolors on paper. Both laid down on card stock, toning; both frames with abrasions. Collection of Larry and Patricia Engle

Lot 66: THOMAS MATTHEWS ROOKE (1842-1942) Head study of

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Description: THOMAS MATTHEWS ROOKE (1842-1942) Head study of the artist's wife 'Leonora Jane Rooke neé Jones', signed with initials and dated 'July 1880', charcoals heightened in white, 14" x 10", unframed. Ex colln. Dr Graham Webster OBE, Chesterton, Warks according to a hand written note verso (see illustration).

Lot 72: Thomas Matthews Rooke (British, 1842-1942) Head studies of two girls, 'The Nicols'

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Description: Head studies of two girls, 'The Nicols'dated '6 July 80' (lower left) and bears inscription 'The Nicols' (lower centre), pencil 11.2 x 17cm (4 7/16 x 6 11/16in).

Lot 76: THOMAS MATTHEWS ROOKE

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Description: PROPERTY OF PRE-RAPHAELITE INC. 1842-1942 MUSICIANS watercolour heightened with bodycolour 41 by 46cm., 16 by 18in.

Lot 83: Thomas M Rooke RWS (1842-1942) - A SCENE FROM THE CANTERBURY TALES

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Description: Thomas M Rooke RWS (1842-1942) A SCENE FROM THE CANTERBURY TALES Watercolour. Initialled. 11" x 9"

Lot 98: THOMAS MATTHEWS ROOKE

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Description: SIGNED AND DATED (MAKER'S MARKS)with artist's monogram

Lot 99: Attributed to Thomas Matthews Rooke (British, 1842-1942) St. Christopher

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Description: St. Christopher watercolour63 x 16.5cm (24 13/16 x 6 1/2in).

Lot 104: Thomas Matthews Rooke, R.W.S. (1842-1942)

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Description: An Idyllsigned with initials and dated 1881 (lower right)oil on canvas19 5/8 x 24 5/8 in. (49.8 x 62.5 cm.)

Lot 110: THOMAS MATTHEWS ROOKE

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Description: PROPERTY OF A PRIVATE COLLECTORBRITISH, 1842-1942 AUTUMN'S PIPE AUTUMN'S PIPEmeasurements31 by 24 in.alternate measurements78.7 by 61 cmsigned TMR and dated 1887 (lower right); signed and inscribed T. M. Rooke, Autumn's Pipe, Queen Anne's Gardens, Bedford Park, Turnham Green on an old label on the reverseoil on panelEXHIBITEDLondon, Royal Academy, no. 104NOTEServing as a studio assistant to Edward Coley Burne-Jones from 1869, Thomas Matthews Rooke assisted in the design work for William Morris & Company, decorating furniture and designing stained glass. These two powerful influences in Rooke's artistic career are evident in his compelling Autumn's Pipe, a work inspired by the Pre-Raphaelites and created with technique informed by the tenants of the Arts and Crafts movement. As with so many of Burne-Jones' masterworks, the subject of Rooke's painting is mythological, if more allegorical and less organized around a specific Classical tale. Here a maiden, the allegory of Autumn in a gown the color of fallen leaves with a small harvesting scythe tucked into her belt, perches in an apple tree and holds a pipe to her lips. Lost in the musical reverie, the piper's companion has taken a break from reading her illuminated book to listen; a fur stole provides her warmth from the crisp day and cool ground dotted with fallen fruit. Devoid of an explicit narrative, Rooke focuses attention on the intricate ornamental details of trees, leaves and drapery. Rich, red flowers pop out from green-blue foliage while thin strokes of black paint intertwine with wider grey and brown strokes to create the gnarled trunk of the apple tree. The picture space is filled with fine, interlocking brushstrokes and complex color patterns. While not overtly painterly, the canvas surface has a textural feel, reminiscent of medieval crewel work tapestries. This effect is likely intentional; given his association with Morris and Burne-Jones, Rooke would have shared in the appreciation of medieval craft and fabric (Figure 1). Like a masterwork of tapestry, Rooke's piece is remarkable in its long, vertical forms, intertwined, undulating fruit and vine motifs, and layers of color and design (Figure 2). The overall effect reveals the incredible, visual possibilities and diverse inspirations for decoration that the Arts and Crafts movement introduced to artists like Rooke.

Lot 117: Thomas Matthews Rooke

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Description: A School Boy seated before a Tree in deep Contemplation signed `T.M.Rooke' pencil, watercolour and bodycolour 17.3/4 x 12.1/2in. (45 x 31.7cm.).

Lot 117: Thomas Matthews Rooke

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Description: A School Boy seated before a Tree in deep Contemplation signed `T.M.Rooke' pencil, watercolour and bodycolour 17.3/4 x 12.1/2in. (45 x 31.7cm.).

Lot 117: Thomas Matthews Rooke

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Description: A School Boy seated before a Tree in deep Contemplation signed `T.M.Rooke' pencil, watercolour and bodycolour 17.3/4 x 12.1/2in. (45 x 31.7cm.).

Lot 117: Thomas Matthews Rooke

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Description: A School Boy seated before a Tree in deep Contemplation signed `T.M.Rooke' pencil, watercolour and bodycolour 17.3/4 x 12.1/2in. (45 x 31.7cm.).

Lot 129: THOMAS MATTHEWS ROOKE 1842-1942

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Description: CLYTIE TURNING TOWARDS THE SUN CLYTIE TURNING TOWARDS THE SUN61 by 51 cm.; 24 by 20 in.signed with monogram l.l.: TMRoil on canvasPROVENANCEMrs C.M. Rooke, the artist's widow, of 7 Queen Anne Gardens, Bedford Park;Private collectionEXHIBITEDProbably Grosvenor Gallery, 1884, no. 240NOTEThis painting of a kneeling female figure among sunflowers is almost certainly identical with the work that T.M. Rooke exhibited at the Grosvenor Gallery in 1884 as Clytie Turning Towards the Sun. Ovid in Metamorphoses tells the story of the nymph Clytie, who adored Apollo, the sun-god. When he abandoned her she withdrew to a lonely spot where she remained for nine days without eating or drinking but nourished only by her own tears. Each day, from dawn to sunset she watched the chariot of the sun, driven by her erstwhile lover. Gradually, her limbs were transformed into the stems of a plant and her widespread garments rooted her to the ground. Rooke shows Clytie in the process of transformation from woman to sunflower; the orange colour of her dress suggests still the warmth of Apollo's love, but she appears already to be sinking towards the ground. Her hair is growing wild, while her face will turn into that of a flower, and one which will always follow the course of the sun.In 1886-7 Evelyn de Morgan painted a Clytie subject, which also appeared at the Grosvenor Gallery (De Morgan Foundation, London). Ten years later, Frederic Leighton painted the subject, which work was shown at the Royal Academy in 1896, in the first summer exhibition after his death.CSN

Lot 129: Thomas Matthews Rooke (British, 1842-1942) Chateau Gaillard

Description: Chateau Gaillardsigned, inscribed and dated 'Chateau Gaillard/TM Rooke 1895' (lower left), watercolour 23 x 28cm (9 1/16 x 11in).

Lot 133: ROOKE, THOMAS MATTHEW (1842-1942)

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Description: Apollo and the Muses Oil/canvas, roundel 20.5x20.5 in (52x52 cm) Inscr. Exhib.: Royal Academy, no.627, London 1889.

Lot 133: ROOKE, THOMAS MATTHEW (1842-1942)

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Description: Apollo and the Muses Oil/canvas, roundel 20.5x20.5 in (52x52 cm) Inscr. Exhib.: Royal Academy, no.627, London 1889.

Lot 133: ROOKE, THOMAS MATTHEW (1842-1942)

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Description: Apollo and the Muses Oil/canvas, roundel 20.5x20.5 in (52x52 cm) Inscr. Exhib.: Royal Academy, no.627, London 1889.

Lot 133: ROOKE, THOMAS MATTHEW (1842-1942)

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Description: Apollo and the Muses Oil/canvas, roundel 20.5x20.5 in (52x52 cm) Inscr. Exhib.: Royal Academy, no.627, London 1889.

Lot 134: Thomas Matthews Rooke, R.W.S. (1842-1942)

Description: Ely Cathedralsigned, inscribed and dated 'T.M. Rooke/Ely/1912' (lower left)pencil and watercolour14 x 7 1/2 in. (36 x 19 cm.)