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Martin Drolling Auction Price Results

Martin Drolling (1752-1817)  Please Register/Login to access your Artfact Alerts

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Lot 5: Drolling, Martin, zugeschrieben. 1752 Bergheim -

Description: Drolling, Martin, zugeschrieben. 1752 Bergheim - 1817 Paris. Kücheninterieur mit Familie. Öl/Lw. 65 x 81 cm. Doubl., rest. Unsign. Abbildung 3800,-

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Lot 10: DRolLING, MARTIN (1752-1817)

Description: Landscape with travellers on a country road, 1816, 1816 Oil/canvas 15.4x20.3 in (39x51.5 cm) signed & dated.

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Lot 10: DRolLING, MARTIN (1752-1817)

Description: Landscape with travellers on a country road, 1816, 1816 Oil/canvas 15.4x20.3 in (39x51.5 cm) signed & dated.

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Lot 10: DRolLING, MARTIN (1752-1817)

Description: Landscape with travellers on a country road, 1816, 1816 Oil/canvas 15.4x20.3 in (39x51.5 cm) signed & dated.

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Lot 10: DRolLING, MARTIN (1752-1817)

Description: Landscape with travellers on a country road, 1816, 1816 Oil/canvas 15.4x20.3 in (39x51.5 cm) signed & dated.

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Circle of Martin Drolling (FRENCH, 1752-1817)

Lot 11: Circle of Martin Drolling (FRENCH, 1752-1817)

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Description: Circle of Martin Drolling (FRENCH, 1752-1817) Portrait of a woman in riding costume oil on canvas 29 x 24 in. (73.7 x 61 cm.)

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Lot 12: DROLLING, MARTIN (1752-1817)

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Description: Sapho et phaon chantant leurs Amours dans une grotte Oil/panel 51.5x61 cm Signed, Dated lower right.

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Lot 12: DROLLING, MARTIN (1752-1817)

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Description: Sapho et phaon chantant leurs Amours dans une grotte Oil/panel 51.5x61 cm Signed, Dated lower right.

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Lot 12: DROLLING, MARTIN (1752-1817)

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Description: Sapho et phaon chantant leurs Amours dans une grotte Oil/panel 51.5x61 cm Signed, Dated lower right.

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Lot 12: DROLLING, MARTIN (1752-1817)

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Description: Sapho et phaon chantant leurs Amours dans une grotte Oil/panel 51.5x61 cm Signed, Dated lower right.

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Lot 12: DROLLING, Martin (1752-1817, French)

Description: Les bulles de savon, panel Oil Painting (?x?in).

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Lot 12: DROLLING, Martin (1752-1817, French)

Description: Les bulles de savon, panel Oil Painting (?x?in).

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Lot 12: DROLLING, Martin (1752-1817, French)

Description: Les bulles de savon, panel Oil Painting (?x?in).

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Lot 12: DROLLING, Martin (1752-1817, French)

Description: Les bulles de savon, panel Oil Painting (?x?in).

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DROLLING Martin (attribué à). 1752-1817 Le

Lot 21: DROLLING Martin (attribué à). 1752-1817 Le

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Description: DROLLING Martin (attribué à). 1752-1817 Le lavement du glouton au clystère, ou le souper à l'esturgeon. Huile sur panneau de forme ronde (petits manques). Au revers un long texte à la plume décrit le sujet...

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Martin DROLLING (1752-1817) La lecture de la

Lot 24: Martin DROLLING (1752-1817) La lecture de la

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Description: Martin DROLLING (1752-1817) La lecture de la partition Le joueur de mandoline Deux huiles sur panneau, l'une signée en bas à gauche. 22,6 x 17,7 cm

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Lot 26: DRolLING, MARTIN (ATTRIB.) (1752-1817)

Description: Tete de jeune femme charcoal 17x13 inches (42x32 cm).

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Lot 26: DRolLING, MARTIN (ATTRIB.) (1752-1817)

Description: Tete de jeune femme charcoal 17x13 inches (42x32 cm).

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Lot 26: DRolLING, MARTIN (ATTRIB.) (1752-1817)

Description: Tete de jeune femme charcoal 17x13 inches (42x32 cm).

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Lot 26: DRolLING, MARTIN (ATTRIB.) (1752-1817)

Description: Tete de jeune femme charcoal 17x13 inches (42x32 cm).

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Lot 27: *Martin Drolling (1752-1817)

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Description: A YOUNG FRUIT SELLER COUNTING MONEY oil on canvas 19 1/2 by 25 1/2 in. 49.5 by 64.8 cm. The coins depicted are 2 sol pieces distributed between the years 1791 and 1793. On one side of the coin, Louis XVI is shown in profile and on the other side is a Faisceau de Licteurs, a Roman symbol of Republican power.

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Lot 27: *Martin Drolling (1752-1817)

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Description: A YOUNG FRUIT SELLER COUNTING MONEY oil on canvas 19 1/2 by 25 1/2 in. 49.5 by 64.8 cm. The coins depicted are 2 sol pieces distributed between the years 1791 and 1793. On one side of the coin, Louis XVI is shown in profile and on the other side is a Faisceau de Licteurs, a Roman symbol of Republican power.

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Lot 27: *Martin Drolling (1752-1817)

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Description: A YOUNG FRUIT SELLER COUNTING MONEY oil on canvas 19 1/2 by 25 1/2 in. 49.5 by 64.8 cm. The coins depicted are 2 sol pieces distributed between the years 1791 and 1793. On one side of the coin, Louis XVI is shown in profile and on the other side is a Faisceau de Licteurs, a Roman symbol of Republican power.

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Lot 27: *Martin Drolling (1752-1817)

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Description: A YOUNG FRUIT SELLER COUNTING MONEY oil on canvas 19 1/2 by 25 1/2 in. 49.5 by 64.8 cm. The coins depicted are 2 sol pieces distributed between the years 1791 and 1793. On one side of the coin, Louis XVI is shown in profile and on the other side is a Faisceau de Licteurs, a Roman symbol of Republican power.

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Michel Martin Drölling Paris, 1752 - 1817 Portrait d'homme coiffé d'un bonnet Crayon noir et estompe

Lot 32: Michel Martin Drölling Paris, 1752 - 1817 Portrait d'homme coiffé d'un bonnet Crayon noir et estompe

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Description: Michel Martin Drölling Paris, 1752 - 1817 Portrait d'homme coiffé d'un bonnet Crayon noir et estompe Sans cadre h: 19 w: 16 cm Commentaire : On connaît un autre portrait d'homme au bonnet du même artiste, éxecuté au crayon et conservé au musée du Louvre.

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Lot 34: DROLLING, Martin (school) (1752-1817, French)

Description: La lecon de lecture Oil Painting (44x51in).

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Lot 34: DROLLING, Martin (school) (1752-1817, French)

Description: La lecon de lecture Oil Painting (44x51in).

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Lot 34: DROLLING, Martin (school) (1752-1817, French)

Description: La lecon de lecture Oil Painting (44x51in).

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Lot 34: DROLLING, Martin (school) (1752-1817, French)

Description: La lecon de lecture Oil Painting (44x51in).

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Lot 41: Attribué à Martin DROLLING (1752 - 1817) Portrait

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Description: Attribué à Martin DROLLING (1752 - 1817) Portrait d'une femme accoudée portant un bonnet et fichu Panneau 16 x 12 cm

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Lot 42: MARTIN DROLLING (1752-1817)

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Description: Le Musicien ambulant huile sur panneau 49 x 39,5 cm. PROVENANCE Haro, Boulevard Haussmann, etiquette au dos du cadre EXPOSE Peeut-etre le tableau expose au Salon de 1800, no. 132, Un Musicien ambulant Au Salon de l'an VIII, Drolling expose quatre tableaux dont un autoportrait conserve actuellement au musee des Beaux-Arts d'Orleans, et Le musicien ambulant, qui figure sous le numero 132. Ce dernier correspond sans doute au present tableau. Deux tableaux comparables au present tableau passerent en vente chez Christie's Londres, le 7 juillet 1995, lots 69 et 70. Marque au debut de sa carriere par les maitres de l'Ecole du Nord, Drolling etait repute aupres de sa clientele pour ses scenes familieres de la bourgeoisie de la fin du XVIIIeme siecle.

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Lot 42: MARTIN DROLLING (1752-1817)

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Description: Le Musicien ambulant huile sur panneau 49 x 39,5 cm. PROVENANCE Haro, Boulevard Haussmann, etiquette au dos du cadre EXPOSE Peeut-etre le tableau expose au Salon de 1800, no. 132, Un Musicien ambulant Au Salon de l'an VIII, Drolling expose quatre tableaux dont un autoportrait conserve actuellement au musee des Beaux-Arts d'Orleans, et Le musicien ambulant, qui figure sous le numero 132. Ce dernier correspond sans doute au present tableau. Deux tableaux comparables au present tableau passerent en vente chez Christie's Londres, le 7 juillet 1995, lots 69 et 70. Marque au debut de sa carriere par les maitres de l'Ecole du Nord, Drolling etait repute aupres de sa clientele pour ses scenes familieres de la bourgeoisie de la fin du XVIIIeme siecle.

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Lot 42: MARTIN DROLLING (1752-1817)

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Description: Le Musicien ambulant huile sur panneau 49 x 39,5 cm. PROVENANCE Haro, Boulevard Haussmann, etiquette au dos du cadre EXPOSE Peeut-etre le tableau expose au Salon de 1800, no. 132, Un Musicien ambulant Au Salon de l'an VIII, Drolling expose quatre tableaux dont un autoportrait conserve actuellement au musee des Beaux-Arts d'Orleans, et Le musicien ambulant, qui figure sous le numero 132. Ce dernier correspond sans doute au present tableau. Deux tableaux comparables au present tableau passerent en vente chez Christie's Londres, le 7 juillet 1995, lots 69 et 70. Marque au debut de sa carriere par les maitres de l'Ecole du Nord, Drolling etait repute aupres de sa clientele pour ses scenes familieres de la bourgeoisie de la fin du XVIIIeme siecle.

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Lot 42: MARTIN DROLLING (1752-1817)

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Description: Le Musicien ambulant huile sur panneau 49 x 39,5 cm. PROVENANCE Haro, Boulevard Haussmann, etiquette au dos du cadre EXPOSE Peeut-etre le tableau expose au Salon de 1800, no. 132, Un Musicien ambulant Au Salon de l'an VIII, Drolling expose quatre tableaux dont un autoportrait conserve actuellement au musee des Beaux-Arts d'Orleans, et Le musicien ambulant, qui figure sous le numero 132. Ce dernier correspond sans doute au present tableau. Deux tableaux comparables au present tableau passerent en vente chez Christie's Londres, le 7 juillet 1995, lots 69 et 70. Marque au debut de sa carriere par les maitres de l'Ecole du Nord, Drolling etait repute aupres de sa clientele pour ses scenes familieres de la bourgeoisie de la fin du XVIIIeme siecle.

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Lot 43: DRolLING, MARTIN (1752-1817)

Description: L'heureuse nouvelle oil/panel 6.7x7.9 in (17x20 cm).

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Lot 43: DRolLING, MARTIN (1752-1817)

Description: L'heureuse nouvelle oil/panel 6.7x7.9 in (17x20 cm).

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Lot 43: DRolLING, MARTIN (1752-1817)

Description: L'heureuse nouvelle oil/panel 6.7x7.9 in (17x20 cm).

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Lot 43: DRolLING, MARTIN (1752-1817)

Description: L'heureuse nouvelle oil/panel 6.7x7.9 in (17x20 cm).

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Lot 43: DRolLING, MARTIN (ATTRIB.) (1752-1817)

Description: Portrait de jeune femme oil/canvas 25x21 inches (64x53 cm).

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Lot 43: DRolLING, MARTIN (ATTRIB.) (1752-1817)

Description: Portrait de jeune femme oil/canvas 25x21 inches (64x53 cm).

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Lot 43: DRolLING, MARTIN (ATTRIB.) (1752-1817)

Description: Portrait de jeune femme oil/canvas 25x21 inches (64x53 cm).

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Lot 43: DRolLING, MARTIN (ATTRIB.) (1752-1817)

Description: Portrait de jeune femme oil/canvas 25x21 inches (64x53 cm).

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Lot 43: DROLLING, Martin (1752-1817)

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Description: La jeune artiste, 1787 Huile/panneau & ovale 12,2 x 16,1 inches (31.0 x 41.0cm) Signed & Dated Illustrated.

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Lot 43: DROLLING, Martin (1752-1817)

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Description: La jeune artiste, 1787 Huile/panneau & ovale 12,2 x 16,1 inches (31.0 x 41.0cm) Signed & Dated Illustrated.

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Lot 43: DROLLING, Martin (1752-1817)

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Description: La jeune artiste, 1787 Huile/panneau & ovale 12,2 x 16,1 inches (31.0 x 41.0cm) Signed & Dated Illustrated.

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Lot 43: DROLLING, Martin (1752-1817)

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Description: La jeune artiste, 1787 Huile/panneau & ovale 12,2 x 16,1 inches (31.0 x 41.0cm) Signed & Dated Illustrated.

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Property of various owners

Lot 46: Property of various owners

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Description: His favorite pet oil on canvas12 3/4 x 10 3/4in (32.3 x 27.3cm)

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Lot 52: DROLLING, Martin (attrib) (1752-1817, French)

Description: Portrait d'homme Oil Painting (8x11in).

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Lot 52: DROLLING, Martin (attrib) (1752-1817, French)

Description: Portrait d'homme Oil Painting (8x11in).

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Lot 52: DROLLING, Martin (attrib) (1752-1817, French)

Description: Portrait d'homme Oil Painting (8x11in).

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Lot 52: DROLLING, Martin (attrib) (1752-1817, French)

Description: Portrait d'homme Oil Painting (8x11in).

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Lot 57: DRolLING, MARTIN (1752-1817)

Description: Fagot d'hiver oil/canvas 10x7 inches (25x18 cm).

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Lot 57: DRolLING, MARTIN (1752-1817)

Description: Fagot d'hiver oil/canvas 10x7 inches (25x18 cm).

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Lot 57: DRolLING, MARTIN (1752-1817)

Description: Fagot d'hiver oil/canvas 10x7 inches (25x18 cm).

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Lot 57: DRolLING, MARTIN (1752-1817)

Description: Fagot d'hiver oil/canvas 10x7 inches (25x18 cm).

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Lot 59:

Description: MARTIN DROLLING (OBERHERGHEIM 1752-1817 PARIS) La leçon de musique signé et daté 'Drolling.F.1796' (en bas à droite) huile sur toile 50,3 x 61 cm.

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Martin Drolling (Oberbergheim 1752-1817 Paris)

Lot 60: Martin Drolling (Oberbergheim 1752-1817 Paris)

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Description: A young lady reaching for a guitar at a stone casement and a boy playing the flute beyondsigned and dated 'Drolling f. an. 5.' (lower right)oil on canvas, unlined46 x 38 in. (117 x 96.5 cm.)

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Lot 62: DROLLING, Martin (1752-1817, French)

Description: La cage aux oiseaux Oil Painting (13x10in).

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Lot 62: DROLLING, Martin (1752-1817, French)

Description: La cage aux oiseaux Oil Painting (13x10in).

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Lot 62: DROLLING, Martin (1752-1817, French)

Description: La cage aux oiseaux Oil Painting (13x10in).

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Lot 62: DROLLING, Martin (1752-1817, French)

Description: La cage aux oiseaux Oil Painting (13x10in).

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Lot 69: Martin Drolling (Oberbergheim 1752-1817 Paris)

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Description: Charity: a peasant woman and her children begging at a cottage signed and dated 'drolling.f/1796' (center right, on the side of the house) oil on panel 40 x 54in. (15.8 x 21.3cm.) PROVENANCE John and Dara Koch. Anon. Sale, Sotheby's, Monaco, 5-6 December 1991, lot 137.

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Lot 69: Martin Drolling (Oberbergheim 1752-1817 Paris)

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Description: Charity: a peasant woman and her children begging at a cottage signed and dated 'drolling.f/1796' (center right, on the side of the house) oil on panel 40 x 54in. (15.8 x 21.3cm.) PROVENANCE John and Dara Koch. Anon. Sale, Sotheby's, Monaco, 5-6 December 1991, lot 137.

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Lot 69: Martin Drolling (Oberbergheim 1752-1817 Paris)

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Description: Charity: a peasant woman and her children begging at a cottage signed and dated 'drolling.f/1796' (center right, on the side of the house) oil on panel 40 x 54in. (15.8 x 21.3cm.) PROVENANCE John and Dara Koch. Anon. Sale, Sotheby's, Monaco, 5-6 December 1991, lot 137.

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Lot 69: Martin Drolling (Oberbergheim 1752-1817 Paris)

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Description: Charity: a peasant woman and her children begging at a cottage signed and dated 'drolling.f/1796' (center right, on the side of the house) oil on panel 40 x 54in. (15.8 x 21.3cm.) PROVENANCE John and Dara Koch. Anon. Sale, Sotheby's, Monaco, 5-6 December 1991, lot 137.

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Lot 69: MICHEL-MARTIN DROLLING (FRENCH 1752-1817)

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Description: LA CHARITE oil on canvas 50 by 60.5 cm.; 19 1/4 by 23 3/4 in. Painted circa 1810. Provenance: Christian Humann, Paris. Exhibited: Paris, Salon of 1810.

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Lot 69: MICHEL-MARTIN DROLLING (FRENCH 1752-1817)

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Description: LA CHARITE oil on canvas 50 by 60.5 cm.; 19 1/4 by 23 3/4 in. Painted circa 1810. Provenance: Christian Humann, Paris. Exhibited: Paris, Salon of 1810.

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Lot 69: MICHEL-MARTIN DROLLING (FRENCH 1752-1817)

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Description: LA CHARITE oil on canvas 50 by 60.5 cm.; 19 1/4 by 23 3/4 in. Painted circa 1810. Provenance: Christian Humann, Paris. Exhibited: Paris, Salon of 1810.

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Lot 69: MICHEL-MARTIN DROLLING (FRENCH 1752-1817)

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Description: LA CHARITE oil on canvas 50 by 60.5 cm.; 19 1/4 by 23 3/4 in. Painted circa 1810. Provenance: Christian Humann, Paris. Exhibited: Paris, Salon of 1810.

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Lot 70: DRolLING, MARTIN (1752-1817)

Description: Two studies of a man seen from behind Drawing 10x9 inches (26x21.6 cm) signed tamp.

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Lot 70: DRolLING, MARTIN (1752-1817)

Description: Two studies of a man seen from behind Drawing 10x9 inches (26x21.6 cm) signed tamp.

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Lot 70: DRolLING, MARTIN (1752-1817)

Description: Two studies of a man seen from behind Drawing 10x9 inches (26x21.6 cm) signed tamp.

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Lot 70: DRolLING, MARTIN (1752-1817)

Description: Two studies of a man seen from behind Drawing 10x9 inches (26x21.6 cm) signed tamp.

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Lot 73: *Martin Drolling (1752-1817)

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Description: "SAY YOUR 'MEA CULPA"' possibly (once) signed on the prie-dieu oil on canvas 29 by 23 1/4 in. 73.7 by 59.1 cm. The present painting may be one of the seven pictures which Drolling exhibited at the Salon of 1814. Another version of the subject, excluding the frieze at the top (and, therefore, smaller, measuring 24 by 21 3/4 in.), was offered in these Rooms, May 19, 1994, lot 125A). Exhibited: Possibly Paris, Salon of 1814, cat. no. 324 (Dites votre mea culpa).

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Lot 73: *Martin Drolling (1752-1817)

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Description: "SAY YOUR 'MEA CULPA"' possibly (once) signed on the prie-dieu oil on canvas 29 by 23 1/4 in. 73.7 by 59.1 cm. The present painting may be one of the seven pictures which Drolling exhibited at the Salon of 1814. Another version of the subject, excluding the frieze at the top (and, therefore, smaller, measuring 24 by 21 3/4 in.), was offered in these Rooms, May 19, 1994, lot 125A). Exhibited: Possibly Paris, Salon of 1814, cat. no. 324 (Dites votre mea culpa).

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Lot 73: *Martin Drolling (1752-1817)

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Description: "SAY YOUR 'MEA CULPA"' possibly (once) signed on the prie-dieu oil on canvas 29 by 23 1/4 in. 73.7 by 59.1 cm. The present painting may be one of the seven pictures which Drolling exhibited at the Salon of 1814. Another version of the subject, excluding the frieze at the top (and, therefore, smaller, measuring 24 by 21 3/4 in.), was offered in these Rooms, May 19, 1994, lot 125A). Exhibited: Possibly Paris, Salon of 1814, cat. no. 324 (Dites votre mea culpa).

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Lot 73: *Martin Drolling (1752-1817)

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Description: "SAY YOUR 'MEA CULPA"' possibly (once) signed on the prie-dieu oil on canvas 29 by 23 1/4 in. 73.7 by 59.1 cm. The present painting may be one of the seven pictures which Drolling exhibited at the Salon of 1814. Another version of the subject, excluding the frieze at the top (and, therefore, smaller, measuring 24 by 21 3/4 in.), was offered in these Rooms, May 19, 1994, lot 125A). Exhibited: Possibly Paris, Salon of 1814, cat. no. 324 (Dites votre mea culpa).

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Circle of Martin Drölling (French, 1752-1817)

Lot 73: Circle of Martin Drölling (French, 1752-1817)

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Description: Circle of Martin Drölling (French, 1752-1817) Portrait of a young man, head and shoulders, wearing a blue coat oil on canvas 24 x 19¾ in. (61 x 50.2 cm.)

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Circle of Martin Drölling (French, 1752-1817)

Lot 73: Circle of Martin Drölling (French, 1752-1817)

Description: Circle of Martin Drölling (French, 1752-1817) Portrait of a young man, head and shoulders, wearing a blue coat oil on canvas 24 x 19¾ in. (61 x 50.2 cm.)

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Lot 80: MARTIN DROLLING (1752-1817)

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Description: A YOUNG WOMAN WITH A GUITAR SEATED ON A OPEN WINDOW LEDGE AND A YOUNG WOMAN SETTING A BIRD FREE FROM A CAGE AT AN OPEN WINDOW: A PAIR OF PAINTINGS Woman with a Guitar signed lower left Drolling f; Woman Setting a Bird Free signed and dated lower left Drolling. f/1795 both oil on canvas each: 17 by 14 1/4 in.43.2 by 36.2 cm. Drolling, along with Louis-Leopold Boilly specialized in small scale, highly finished paintings of domestic subjects, for a large and ever-demanding bourgeois public. The present pair of paintings are perfect examples of this type of picture and reveal Drolling's reliance on Dutch seventeenth century artists such as Gerrit Dou for subject matter, format, as well as surface finish. The paintings were exhibited in the Salon of 1795 in Paris (see exhibited below) and have remained together ever since. Although Drolling painted a few historical subjects and portraits, he was best known for his domestic interiors with fashionably dressed figures. Provenance: Newhouse Galleries, New York Exhibited: Paris, Salon of 1795, no. 152, Deux Tableaux. l'un represente une Jeune femme a une fenetre donnant la liberte a un oiseau, & avec elle un petit Garcon qui quette le depart du prisonnier: l'autre, une jeune Femme assise sur une croisee, jouant de la guittare, a cote d'elle un petit Garcon tenant un bouquet de roses. Literature: Livret du Salon, Paris, 1795, p. 25 B***, Critique sur les tableaux exposes au Salon, l'an quatrieme, brumaire an IV [1795], p. 4 J.H. de Laser, Examen critique et concis des plus beaux ouvrages exposes au Salon du Louvre de cette annee 1795, Paris, an IV [1795], p.4 E. Bellier de La Chavignerie et L. Auvray, Dictionnaire general des Artistes de l'Ecole francaise, Paris, 1882, p. 447 J.-F. Heim, C. Beraud, P. Heim, Les Salons de peinture de la Revolution francaise 1789-1799, Paris, 1989, p. 189.

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Lot 80: MARTIN DROLLING (1752-1817)

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Description: A YOUNG WOMAN WITH A GUITAR SEATED ON A OPEN WINDOW LEDGE AND A YOUNG WOMAN SETTING A BIRD FREE FROM A CAGE AT AN OPEN WINDOW: A PAIR OF PAINTINGS Woman with a Guitar signed lower left Drolling f; Woman Setting a Bird Free signed and dated lower left Drolling. f/1795 both oil on canvas each: 17 by 14 1/4 in.43.2 by 36.2 cm. Drolling, along with Louis-Leopold Boilly specialized in small scale, highly finished paintings of domestic subjects, for a large and ever-demanding bourgeois public. The present pair of paintings are perfect examples of this type of picture and reveal Drolling's reliance on Dutch seventeenth century artists such as Gerrit Dou for subject matter, format, as well as surface finish. The paintings were exhibited in the Salon of 1795 in Paris (see exhibited below) and have remained together ever since. Although Drolling painted a few historical subjects and portraits, he was best known for his domestic interiors with fashionably dressed figures. Provenance: Newhouse Galleries, New York Exhibited: Paris, Salon of 1795, no. 152, Deux Tableaux. l'un represente une Jeune femme a une fenetre donnant la liberte a un oiseau, & avec elle un petit Garcon qui quette le depart du prisonnier: l'autre, une jeune Femme assise sur une croisee, jouant de la guittare, a cote d'elle un petit Garcon tenant un bouquet de roses. Literature: Livret du Salon, Paris, 1795, p. 25 B***, Critique sur les tableaux exposes au Salon, l'an quatrieme, brumaire an IV [1795], p. 4 J.H. de Laser, Examen critique et concis des plus beaux ouvrages exposes au Salon du Louvre de cette annee 1795, Paris, an IV [1795], p.4 E. Bellier de La Chavignerie et L. Auvray, Dictionnaire general des Artistes de l'Ecole francaise, Paris, 1882, p. 447 J.-F. Heim, C. Beraud, P. Heim, Les Salons de peinture de la Revolution francaise 1789-1799, Paris, 1989, p. 189.

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Lot 80: MARTIN DROLLING (1752-1817)

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Description: A YOUNG WOMAN WITH A GUITAR SEATED ON A OPEN WINDOW LEDGE AND A YOUNG WOMAN SETTING A BIRD FREE FROM A CAGE AT AN OPEN WINDOW: A PAIR OF PAINTINGS Woman with a Guitar signed lower left Drolling f; Woman Setting a Bird Free signed and dated lower left Drolling. f/1795 both oil on canvas each: 17 by 14 1/4 in.43.2 by 36.2 cm. Drolling, along with Louis-Leopold Boilly specialized in small scale, highly finished paintings of domestic subjects, for a large and ever-demanding bourgeois public. The present pair of paintings are perfect examples of this type of picture and reveal Drolling's reliance on Dutch seventeenth century artists such as Gerrit Dou for subject matter, format, as well as surface finish. The paintings were exhibited in the Salon of 1795 in Paris (see exhibited below) and have remained together ever since. Although Drolling painted a few historical subjects and portraits, he was best known for his domestic interiors with fashionably dressed figures. Provenance: Newhouse Galleries, New York Exhibited: Paris, Salon of 1795, no. 152, Deux Tableaux. l'un represente une Jeune femme a une fenetre donnant la liberte a un oiseau, & avec elle un petit Garcon qui quette le depart du prisonnier: l'autre, une jeune Femme assise sur une croisee, jouant de la guittare, a cote d'elle un petit Garcon tenant un bouquet de roses. Literature: Livret du Salon, Paris, 1795, p. 25 B***, Critique sur les tableaux exposes au Salon, l'an quatrieme, brumaire an IV [1795], p. 4 J.H. de Laser, Examen critique et concis des plus beaux ouvrages exposes au Salon du Louvre de cette annee 1795, Paris, an IV [1795], p.4 E. Bellier de La Chavignerie et L. Auvray, Dictionnaire general des Artistes de l'Ecole francaise, Paris, 1882, p. 447 J.-F. Heim, C. Beraud, P. Heim, Les Salons de peinture de la Revolution francaise 1789-1799, Paris, 1989, p. 189.

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Lot 80: MARTIN DROLLING (1752-1817)

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Description: A YOUNG WOMAN WITH A GUITAR SEATED ON A OPEN WINDOW LEDGE AND A YOUNG WOMAN SETTING A BIRD FREE FROM A CAGE AT AN OPEN WINDOW: A PAIR OF PAINTINGS Woman with a Guitar signed lower left Drolling f; Woman Setting a Bird Free signed and dated lower left Drolling. f/1795 both oil on canvas each: 17 by 14 1/4 in.43.2 by 36.2 cm. Drolling, along with Louis-Leopold Boilly specialized in small scale, highly finished paintings of domestic subjects, for a large and ever-demanding bourgeois public. The present pair of paintings are perfect examples of this type of picture and reveal Drolling's reliance on Dutch seventeenth century artists such as Gerrit Dou for subject matter, format, as well as surface finish. The paintings were exhibited in the Salon of 1795 in Paris (see exhibited below) and have remained together ever since. Although Drolling painted a few historical subjects and portraits, he was best known for his domestic interiors with fashionably dressed figures. Provenance: Newhouse Galleries, New York Exhibited: Paris, Salon of 1795, no. 152, Deux Tableaux. l'un represente une Jeune femme a une fenetre donnant la liberte a un oiseau, & avec elle un petit Garcon qui quette le depart du prisonnier: l'autre, une jeune Femme assise sur une croisee, jouant de la guittare, a cote d'elle un petit Garcon tenant un bouquet de roses. Literature: Livret du Salon, Paris, 1795, p. 25 B***, Critique sur les tableaux exposes au Salon, l'an quatrieme, brumaire an IV [1795], p. 4 J.H. de Laser, Examen critique et concis des plus beaux ouvrages exposes au Salon du Louvre de cette annee 1795, Paris, an IV [1795], p.4 E. Bellier de La Chavignerie et L. Auvray, Dictionnaire general des Artistes de l'Ecole francaise, Paris, 1882, p. 447 J.-F. Heim, C. Beraud, P. Heim, Les Salons de peinture de la Revolution francaise 1789-1799, Paris, 1989, p. 189.

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Attribué à Martin DROLLING (1752-1817)

Lot 80: Attribué à Martin DROLLING (1752-1817)

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Description: Attribué à Martin DROLLING (1752-1817) Portrait de jeune fille Sur sa toile d'origine 55,5 x 46 cm (Accidents et manques)

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Lot 83: École de Martin DROLLING (Oberhergheim, 1752 -

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Description: École de Martin DROLLING (Oberhergheim, 1752 - Paris, 1817). Deux petits ramoneurs. Huile sur toile. 54 x 65 cm. Provenance : château de Touraine.

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Lot 84: Martin DROLLING - (Oberberghein 1752 - Paris 1817)

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Description: Martin DROLLING - (Oberberghein 1752 - Paris 1817) - Portrait de jeune garçon

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