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Amsterdam,
1079 EM Netherlands
Lot 1: Eugène Brands (Amsterdam 1913 - 2002)
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Description: City by evening - Signed and dated '67 l.r. - Signed, titled, dated 6.III.1967-10- and numbered cat.4485 on the reverse side - Gouache on paper, 44.5 x 35.3 cm - Provenance: - Gallery Art Images, Haarlem (1994) - Private collection, The Netherlands
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Lot 2: Eugène Brands (Amsterdam 1913 - 2002)
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Description: Landscape IV - Signed with initials l.l. - Signed, titled and dated 9 mei 1984-1 and numbered 7250 - on the reverse side - Gouache on paper, 39.8 x 82 cm - Provenance: Galerie Collection d'Art, Amsterdam - Private collection, The Netherlands
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Lot 3: Eugène Brands (Amsterdam 1913 - 2002)
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Description: Black hole with red flag - Signed, titled and dated 15 XI 1995-1 and numbered 16 on the reverse side - Gouache on cardboard, 33.5 x 53.3 cm - Provenance: Gallery Art Images, Haarlem (1996) - Private collection, The Netherlands
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Lot 4: Eugène Brands (Amsterdam 1913 - 2002)
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Description: Cloud - Signed, titled and dated I VII 1994-5- and numbered 2 on the reverse side - Gouache on paper, 49.5 x 58.9 cm - Provenance: Private collection, The Netherlands
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Lot 5: Eugène Brands (Amsterdam 1913 - 2002)
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Description: Buddha - Signed l.r. - Signed, titled, dated 20 September 1958-1 and numbered 1932, vak 7 on the reverse side - Gouache on paper on panel, 47 x 50.2 cm - Provenance: Auction Christie's Amsterdam, 22 May 1991, lot 700 - Private collection, The Netherlands
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Lot 6: Eugène Brands (Amsterdam 1913 - 2002)
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Description: Woman - Signed and dated 59 l.r. - Signed, titled, dated 17 November 1959-3 and numbered 2311, vak 13 on the reverse side - Oil on paper, 49.9 x 48.6 cm - Provenance: Auction Christie's Amsterdam, 21 April 1998, lot 64 - Private collection, The Netherlands
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Lot 7: Eugène Brands (Amsterdam 1913 - 2002)
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Description: Untitled - Signed and dated 5.59 l.l. - Oil on paper laid on board, 17 x 50 cm
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Lot 8: Ger Lataster (Schaesberg 1920 - Amsterdam 2012)
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Description: Untitled - Signed and dated 2000 l.r. - Oil and spray paint on canvas, 100 x 100 cm - Provenance: Private collection, The Netherlands
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Lot 9: Ger Lataster (Schaesberg 1920 - Amsterdam 2012)
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Description: Untitled - Signed l.r. - Oil paint and spray paint on canvas, 45.2 x 50 cm - Provenance: Private collection, The Netherlands
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Lot 10: Ger Lataster (Schaesberg 1920 - Amsterdam 2012)
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Description: Untitled - Signed and dated 2000 l.m. - Mixed media on canvas, 100.1 x 97.7 cm - Provenance: Private collection, The Netherlands
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Lot 11: Ger Lataster (Schaesberg 1920 - Amsterdam 2012)
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Description: Grey garden - Signed and dated '91 on the reverse side - Oil on canvas, 89.8 x 109.8 cm - Provenance: Private collection, The Netherlands
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Lot 12: Willem Hussem (Rotterdam 1900 - The Hague 1974)
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Description: Untitled - Signed with initials and dated '60 m.l. - With artist stamps on the stretcher - Oil on canvas, 100.2 x 130.4 cm - Provenance: Galerie Nouvelles Images, The Hague (inv.no. 5462) - Private collection, The Netherlands
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Lot 13: Willem Hussem (Rotterdam 1900 - The Hague 1974)
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Description: Composition - Signed with initials and dated 54 l.r. - Oil on canvas on panel, 60.2 x 70.4 cm - Provenance: Acquired by the present owners as a marriage gift from the studio of the artist in 1969
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Lot 14: Theo Wolvecamp (Hengelo 1925 - Amsterdam 1992)
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Description: Untitled (circa 1957) - Signed l.r. - Mixed media on paper, 49.8 x 64.9 cm - Provenance: Acquired directly from the artist by the present owner
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Lot 15: Theo Wolvecamp (Hengelo 1925 - Amsterdam 1992)
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Description: Untitled - Signed l.l. - Signed and dated '54 on the reverse side - Oil on canvas, 100 x 79.8 cm - Provenance: Acquired directly from the artist by the present owner
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Lot 16: Armando (Amsterdam 1929)
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Description: Kopf - Signed, titled and dated 15-10-89 on the stretcher - Oil on canvas, 99.6 x 79.7 cm - Provenance: - Galerie Nouvelles Images, The Hague - Auction Christie's Amsterdam, 29 November 2005, lot 347A - Private collection, The Netherlands
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Lot 17: Guillaume Lo-A-Njoe (Amsterdam 1937)
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Description: Portrait of a lady - Signed l.l. - Signed and dated 2007 on the reverse side - Mixed media on canvas, 39.2 x 28.8 cm - Provenance: Acquired directly from the artist by the present owner
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Lot 18: Guillaume Lo-A-Njoe (Amsterdam 1937)
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Description: Composition - Signed l.r. - Signed and dated 2008 on the reverse side - Mixed media on canvas, 49.7 x 60 cm - Private collection, The Netherlands: Acquired directly from the artist by the present owner
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Lot 19: Guillaume Lo-A-Njoe (Amsterdam 1937)
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Description: Composition - Signed l.r. - Signed and dated 2008 on the reverse side - Mixed media on canvas, 80 x 90 cm - Provenance: Acquired directly from the artist by the present owner
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Lot 20: Karel Appel (Amsterdam 1921 - Zurich 2006)
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Description: Child's clown - With signature l.l. - Signed and dated 1980 and numbered 4/10 on the reverse side - Gold enamelled brooch/pendant with diamond, Diam. 7.3 cm
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Lot 21: Karel Appel (Amsterdam 1921 - Zurich 2006)
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Description: The happy and unforseen week - Signed and dated '50 l.l. - Collotype on paper hand-coloured with watercolour, 27.3 x 21 cm - N.B.: Karel Appel and Hugo Claus collaborated in late 1950, when both were living in Paris, on a set of 7 illustrated poems. These were published in the so-called Hand-series of the Cobra-library, titled 'De blijde en onvoorziene week'. These prints were subsequently hand-coloured by Karel Appel. At that time the booklet could be pre-ordered for the small amount of three guilders. Unfortunately there were only three subscribers in total, while the total edition was one of 200 copies.
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Lot 22: Karel Appel (Amsterdam 1921 - Zurich 2006)
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Description: Homme - Signed and dated 69 l.r. - Numbered E.A. XI/XV l.l. - Colour lithograph, 76.3 x 56.6 cm
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Lot 23: Ger Lataster (Schaesberg 1920 - Amsterdam 2012)
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Description: Untitled - Signed and dated 56 l.l. - Ink and oil on paper, 65.2 x 47.8 cm
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Lot 24: Karel Appel (Amsterdam 1921 - Zurich 2006)
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Description: Dans la Tempête - Signed and dated 60 l.r. - Numbered 24/125 l.l. - Colour lithograph, 56.3 x 75.9 cm
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Lot 25: Pierre Alechinsky (Brussels 1927)
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Description: Reçu - Signed m.m. - Signed and dated 1978 l.r. - Watercolour and collage on paper, 27.9 x 40.9 cm
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Lot 26: Jan Sierhuis (Amsterdam 1928)
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Description: Composition - Signed and dated 67 l.r. - Signed and titled on the reverse side - Oil on canvas, 59.9 x 80 cm - Provenance: Acquired directly from the artist by the present owner - On the reverse side: Label of the Stedelijk Museum, Amsterdam (inv.no. 1-42-5)
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Lot 28: Corneille (Liège 1922 - Paris 2010)
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Description: Oiseau et le soleil qui se couche - Signed l.l. - Numbered 1/8 on the right side - Painted wooden multiple, H. 84 cm
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Lot 29: Corneille (Liège 1922 - Paris 2010)
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Description: La femme, l'oiseau et le soleil - Signed l.l. - Numbered 5/8 on the right side - Painted wooden multiple, H. 99 cm
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Lot 30: Manuel Marin (Cieza 1942 - 2007)
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Description: El Viento - Unique piece - With signature on the foot - Painted metal, H. 82.3 cm
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Lot 31: David Gosker (The Hague 1959)
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Description: Composition - Signed with initials and dated 2003 on the reverse side - Assembly of lacquered wooden panels, H. 47.1 x W. 60.1 x D. 6.1 cm - Provenance: Galerie Vromans, Amsterdam (PAN Amsterdam) - Private collection, The Netherlands
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Lot 32: Karel Zijlstra (Leeuwarden 1958)
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Description: Tryphina (circa 2004) - Unique piece - Bronze, H. 179.5 cm (incl. stand)
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Lot 33: Theo Mackaay (Utrecht 1950)
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Description: Portrait - Signed and signed with initials on the left side - Bronze, H. 66 cm (incl. stand)
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Lot 34: Theo Mackaay (Utrecht 1950)
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Description: Capricorn - Signed twice l.r. - Bronze, H. 88.2 cm (incl. stand)
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Lot 35: Theo Mackaay (Utrecht 1950)
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Description: Ode to Picasso - Signed l.l. - Bronze, H. 101.1 cm (incl. stand)
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Lot 36: Jon Kuhn (USA 1949)
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Description: Bermuda Gold' - Unique work - Signed, titled and dated 2006 on underside of foot - Optical glass, glued, cut and polished on steel foot, H. 28.1 cm
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Lot 37: Geert Lap (Venlo 1951)
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Description: Vase (unique work) - Signed and dated 1992 on underside - Blue matt glazed porcelain, H. 28 cm / Diam. 24.2 cm - N.B.: Geert Lap bought a kiln in circa 1968 intending to make jewellery, but soon focused on making ceramic objects. By now this artist has achieved international recognition and his work forms part of the collection of, amongst others, the Metropolitan Museum of Art in New York. Lap: 'I like working with clay, but it's not the proces that concerns me, but the end result. I'm not interested in mystical notions of earth and fire. Nor have I any interest in the chance results and colours of an uncontrolable process. I have a clear picture of what I want in my head and that should be the end result and nothing else. This applies to the form as well as the colour.'
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Lot 38: Vladimir Zbynovsky (Bratislava 1964)
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Description: Aura de la pierre (2007) - Unique work - Optical glass and porphyry, smelting technique, H. 54.9 cm
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Lot 39: Joop van den Broek (Amsterdam 1928 - 1979)
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Description: Untitled - Signed and dated '66 l.l. - Laminated glass object, 87.9 x 215.6 cm - N.B.: As a stained-glass artist, with a preference for works on a monumental scale, Joop van den Broek acquired a national and international reputation for his glass sculpture on the facade of the Tomado offices in the city of Dordrecht and his dividing wall made for the Rotterdam Hilton-hotel. The glass manufacturers company Van Tetterode, where Van den Broek developed his love for working with glass, was for a long period a pioneer in the field of laminated glass. The artist further developed this technique of glass making and utilised it in his art works which were inspired by Cobra painters, such as Karel Appel.
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Lot 40: Nic Jonk (Schermerhorn 1928 - Alkmaar 1994)
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Description: Sea - Edition of 12 - Signed and dated 1980 on the base - Bronze, H. 26 cm - N.B.: We are grateful to Museum en Beeldentuin Nic Jonk for the assistance in cataloguing this lot.
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Lot 41: Hans Bayens (Hastière-Lavaux 1924 - Amsterdam 2003)
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Description: Walking todler (1972) - Signed on the back of the base - Bronze, H. 43.5 cm
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Lot 42: Wim Rijvers (Kessel 1927 - Leveroy 2010)
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Description: Invasion (1980) - Unique piece made in 'cire perdue'-method - Bronze on hardstone base, H. 54.3 cm - Provenance: Aquired directly from the artist by the present owner - Literature: L.M. Alberigs & H. Tillie, Wim Rijvers: Beeldhouwer, Van Spijk, Venlo, 1980, page 140 (ill.) - N.B.: Rijvers received his education as a sculptor at the Jan van Eyck Academie in Maastricht. Although he often worked in aluminium in his early years, he later changed to working in bronze. Many of his sculptures are exhibited in public spaces in Northern-Brabant and Limburg. In Baarlo, Blerick, Kessel, Meijel and Sint Anthonis monuments can be seen by his hand commemorating the Second World War.
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Lot 43: Paul Wunderlich (Eberswalde 1927 - Saint-Pierre-de-Vassols 2010)
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Description: Minotauros (1977) - With signature and numbered 912/2000 on right side of foot - Bronze, patinated brass and steel, H. 78 cm - Provenance: Private collection, The Netherlands
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Lot 44: Jean Louis Corby (Paris 1951)
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Description: Le Porteur - Signed and numbered 3/8 on the back - Bronze, H. 35.3 cm
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Lot 45: Auke de Vries (Bergum 1937)
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Description: Composition - Painted metal, L. 73.7 cm - Provenance: Galerie Nouvelles Images, The Hague - Collection Mr. and Mrs. Poelstra - Nanninga, Vlaardingen - N.B.: This is a model for the sculpture situated by the Nederlands Architectuurinstituut in Rotterdam.
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Lot 46: Jean Louis Corby (Paris 1951)
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Description: Amoureux - Signed and numbered 1/8 on the back - Bronze, H. 88.9 cm
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Lot 47: Ap Verheggen (1964)
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Description: Chateau cos D'estournel (2001) - Unique piece - Bronze, H. 114.8 cm (including stand) - N.B.: The artist uses original vines for these works, which he places in a plaster cast. After burning away the vine, the hollow is then filled with liquid bronze. This makes each of these sculptures a unique work.
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Lot 48: Ap Verheggen (1964)
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Description: Moët & Chandon (2000) - Unique piece - Bronze, H. 89.6 cm (including stand) - N.B.: The artist uses original vines for these works, which he places in a plaster cast. After burning away the vine, the hollow is filled with liquid bronze. This makes each of these sculptures a unique work.
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Lot 49: Ap Verheggen (1964)
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Description: Chateau Mont Rédon (2001) - Unique piece - Bronze, H. 98.3 cm (including stand) - N.B.: The artist uses original vines for these works, which he places in a plaster cast. After burning away the vine, the hollow is filled with liquid bronze. This makes each of these sculptures a unique work.
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Lot 50: Arthur Spronken (Beek 1930)
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Description: Horse - Signed with monogram on the belly - Bronze, H. 30.3 cm (including stand) - Provenance: Private collection, The Netherlands - N.B.: In his youth Spronken was influenced both by the love of horses of his father and grandfather, and by the sculptor Paul Smalbach. He was prepared for a career in trade, but eventually attended the Kunstnijverheidsschool in Maastricht, where he was taught by Charles Vos and Harry Koolen. He studied there from 1948 up to 1952 and left for Milan for a year for an internship at the Accademia di belle Arti di Brera. There one of his tutors was Marino Marini, a specialist in the field of sculpting horses. When returned to the Netherlands Spronken at first mainly made religious figures from wood, but around 1961 he turned to working in bronze. His figurative sculptures concentrate on the dynamic movements of bodies of dancers and later on horse torsos. The dynamic movement becomes so important in the later horso torsos, that the legs of the horses are only indicated as the initiators of the movement in the torso. In 1964 he was awarded an exhibition of his works in the Frans Hals Museum. In 1996 a retrospective exhibition was organised in Scheveningen in the Museum Beelden aan Zee, where his monument of the Royal family was given a permanent place.
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Lot 51: Lucassen (Amsterdam 1939)
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Description: The eye of the art critic - Signed with initials l.r. - Dated 77 l.l. - Signed and dated 77-78 on the reverse side - Oil on canvas, 90.2 x 70 cm - Provenance:- Galerie Espace, Amsterdam - Private collection, The Netherlands - Exhibition: Stedelijk Museum, Amsterdam, 'Schilderijen 1964-1979', 1979 - Literature: H. Redeker, Reinier Lucassen, Relativerende schilderkunst, in: Kunstbeeld IV, October 1979 (ill.)
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