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Lot 158: Richard Parkes Bonington 1801-1828 , The Castello, Ferrara watercolour over pencil heightened with bodycolour and gum arabic

Richard Parkes Bonington - 1802-1828

Auction House: Sotheby's

Auction Location: United Kingdom

Auction Date: 2007

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Description: watercolour over pencil heightened with bodycolour and gum arabic

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Dimensions: 19.4 by 15.1 cm.; 7 1/2 by 6 in.

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Provenance: Possibly Lewis B. Brown, Pierrot Auctioneers, 12th and 13th March 1830

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Published: To be included in the forthcoming catalogue raisonée of the Works of R. P. Bonington by Patrick Noon to be published in 2008.

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Notes: THE PROPERTY OF A LADY
Recently discovered, this watercolour is a view of the Castello, Ferrara, visited just once by Bonington, in 1826, after his three week visit to Venice. The one other known Ferrara view by Bonington is the pencil study for this work in a Private Collection (Fig.1). Bonington's visit to Italy in 1826 is recorded in the diary of his companion, Baron Charles Rivet. The journey took place in the Spring of 1826 when Bonington was twenty three. Starting in Paris on 4th April, Bonington and Rivet travelled for eleven weeks. They headed south to Switzerland where they stayed for four days in Geneva before crossing the Alps via Sion and Brig. They paused in Milan, then on to Brescia and Verona where they arrived on 18th April and on the 20th they arrived in Venice. So far, the weather had been grey and wet most of the time, this continued in Venice, and Rivet's diary recorded his travel companion's despondency. However, during their three weeks in Venice, the sun eventually shone, and by 20υth May, Bonington had produced many of his finest sketches and he was reluctant to leave. By late May Bonington reached Ferrara via Padua. Whilst Bonington was in Ferrara, the castle was occupied by Austrians who had taken over in 1813 from Napoleon's troops who had invaded in 1796. Bonington completed his Italian tour alone via Florence, Rome and the coast at Lerici, Genoa and Turin, then arrived back in Paris on the 20th June. We are grateful to Patrick Noon for his assistance in cataloguing this watercolour.

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