Max Beckmann (1884 Leipzig - 1950 New York). Selbstbildnis von vorn, im Hintergrund Hausgiebel. 1918 Drypoint . Hofmaier 125 II B b (of II B b). Signed and numbered 11/30. Good, clear impression on wove paper. 30,5 x 25,4 cm (12 x 10 in). Sheet: 53,8 x 37,8 cm (21,2 x 14,9 in).. The allocation of numbers of the edition of 30 in a total edition of 100 copies was carried out by Günther Franke Provenienz: Private collection South Germany. If self-portraits are supposed to be above questioning of the self confined to reproducing likenesses, this 1918 etched Max Beckmann self-portait is an outstanding example of that more subtle approach. The artist's critical view of himself here becomes a holistic study of his person. No one could look more doubtful yet so strong-willed than Beckmann does in this vigorous self-portrait. Everything is exposed: the strains to the psyche incurred in a war only recently ended, which represents the end of an era but also the firm resolve to continue what has begun despite all possible doubts. Beckmann's psychogram of himself is indeed revealing. Art is at its most searching when it shows itself aware of its power and dignity. [KD]."