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Description: "Untitled" (Sand) each signed, numbered and dated 'Felix Gonzalez-Torres 1994 3/12' (on the reverse) portfolio of photogravures on Someret Satin paper in silk-covered archival box overall dimensions vary with installation eight parts each: 121/2 x 151/2 in. (31.8 x 39.4 cm.) Executed in 1993-1994. This work is number three from an edition of twelve with six artist's proofs. (8) PROVENANCE Andrea Rosen Gallery, New York LITERATURE C. Merewether, "Felix Gonzalez-Torres: El pasado por venir", Atlantica International, Winter 1994/1995, pp.40-41, and p.148 (illustrated). N. Spector, Felix Gonzalez-Torres, Solomon R. Guggenheim Museum, New York 1995, pp.113-117 and throughout the catalogue (illustrated). C. Meyer-Stoll, "Felix Gonzalez-Torres: Revolution der Stille", Felix Gonzalez-Torres. Roni Horn, Munich 1995, pp.44-45 (illustrated). C. Chapman, "Personal Effects: On Aspects of Work by Felix Gonzalez-Torres", BROADsheet, Spring 1996, p.17. L. O. Ericsson, "om det Verkliga- fran Datum till Constructum", Index, March/April 1996, p.73 (illustrated twice). EXHIBITION Museum of the City of St. Petersberg, Editions by Mike Kelley, Felix Gonzalez-Torres, Richard Prince, Sue Williams, David Salle, July 1994 (another example exhibited). Los Angeles, Margo Leavin Gallery, In the Field: Landscape in Recent Photography, October-November 1994 (another example exhibited). New York, The Solomon R. Guggenheim Museum, Felix Gonzalez-Torres, March-May 1995 (another example exhibited). Mus‚e d'Art Moderne de la Ville de Paris, Passions priv‚es. Collections particuli‚res d'art moderne et contemporain en France, December 1995-March 1996 (another example exhibited).