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FELIX GONZALEZ-TORRES (1957-1996)
Untitled (March 5th) #2
lightbulbs, extension cords, and porcelain light sockets
dimensions variable
Executed in 1991, this work is number 6 from an edition of 20 and is accompanied by a signed certificate from the artist.
PROVENANCE
Andrea Rosen Gallery, New York
EXHIBITED
cf., Brussels, Galerie Xavier Hufkens, Felix Gonzalez-Torres/ Michael Jenkins, 1991
cf., Glen Fall, New York, The Hyde Collection, Just What Is It That Makes Today's Homes So Different, So Appealing?, September-November 1991
cf., Spiral, Tokyo, Wacoal Art Center, Three or More: A Multiple Exhibition, October 1992
cf., Glasgow, Tramway, Read My Lips: New York AIDS Polemics, October-December 1992
cf., New York, Fischbach Gallery, Absence, Activism & the Body Politic, June 1994
cf., Los Angeles, The Museum of Contemporary Art; Washington, D.C., Hirshhorn Museum and Sculpture Garden; Chicago, The Renaissance Society, Felix Gonzalez-Torres, April-November 1994
cf., New York, The Solomon R. Guggenheim Museum, Felix Gonzalez-Torres, March-May 1995, pp. 182-183, illustrated
LITERATURE
cf., Nancy Spector, Felix Gonzalez-Torres und Roni Horn: Anatomien des Raums, Sammlung Goetz, Munich, 1995, p. 12
cf., Christopher Chapman, "Personal Effects: On Aspects of Work by Felix Gonzalez-Torres", BROADsheet, Spring, 1996, p. 16
cf., Nancy Spector, "Felix Gonzalez-Torres: Quelle heure est-il au paradis?", Propositions, MusEe DEpartemental de Rochechouart, 1996, p. 10
cf., Dietmar Elger, Felix Gonzalez-Torres Catalogue RaisoneE, Germany, 1997, cat. no. 118, p. 69, illustrated