Sotheby's: Impressionist and Modern Art Part Two: Lot 234
ÉMILE-OTHON FRIESZ
Estimated Price:
$Realized Price:
$What is this symbol? This symbol indicates that this auction hose has verified this price result.
PROPERTY OF A PRIVATE INDIANA COLLECTION
1879-1949
ARBRES, AUTOMNE
measurements
32 by 25 5/8 in.
alternate measurements
81 by 65 cm
Signed and dated Othon Friesz 06 (lower right)
Oil on canvas
PROVENANCE
Mrs. Rouen Pedron (acquired from the artist)
Maurice Laffaille, Paris
Private Collection, Paris
Jason Bloom, New York
Acquired from the above in the late 1970's
LITERATURE
Robert Martin and Odile Aittouarès, Émile Othon Friesz, L'Oeuvre Peint, vol. 1, Paris, 1995, no. 252, illustrated p. 120
NOTE
The Havrais painter Friesz was one of the last artists to join the Fauve movement. In 1905 he was still painting in an essentially Impressionist manner and it was only in Antwerp in 1906 with Braque that he really began to develop as a Fauve painter. John Elderfield states, "In 1906, Braque and Friesz were not even at the stage of colorful subjects... It was only when the pair traveled south, as their colleagues had done before, that their color was fully liberated from the atmospheric and the impressionist and their Fauve styles were fully established" (J. Elderfield, Fauvism and its Affinities, New York, 1976, p). The present work was probably painted in Normandy after shortly after his return from the South of France.
Fig 1. From left: Maurice Lesiere, Raoul Dufy, Lemperiere, Friesz
Additional Upcoming Lots
Catalog Information
Auction House
Sotheby's



We're Hiring!