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AFRICAN-AMERICAN FINE ART

Catalog Information: 269 lots with images

Date: 2008

Auction House:

Swann Auction Galleries

Location:

USA
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Viewing Notes:

Sale 2136 - African-American Fine Art - begins at 1:30pm in New York on Tues, Feb 19. All material in Sale 2136 on display at our premises in New York City, 104 East 25th Street, as follows - Wed, Feb 13: 10am to 6pm - Thurs, Feb 14: 10am to 6pm - Fri, Feb 15: 10am to 6pm - Sat, Feb 16: 10am to 4pm - Mon, Feb 18: 10am to 6pm - Tues, Feb 19: 10am to Noon.

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Lot 1: CHARLES ETHAN PORTER (1847 - 1923) Untitled (Apple Still Life).

CHARLES ETHAN PORTER (1847 - 1923) Untitled (Apple Still Life). Oil on canvas, circa 1870-1880. Approx. 300x400 mm, 12x16 inches. Signed in red oil, lower right. Restretched on the left side (recto), with approx. -inch of painted canvas folded o [...more]

 
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Lot 2: EDWARD M. BANNISTER (1828 - 1901) Untitled (Sheep and Farm Buildings).

EDWARD M. BANNISTER (1828 - 1901) Untitled (Sheep and Farm Buildings). Oil on canvas, circa 1900. 125x178 mm; 5x7 inches. Initialed in oil, lower left. Provenance: private collection. Born and raised in Canada, where the British had abolis [...more]

 
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Lot 3: EDWARD M. BANNISTER (1828 - 1901) Untitled (Cows in Pasture, Near a Stream).

EDWARD M. BANNISTER (1828 - 1901) Untitled (Cows in Pasture, Near a Stream). Oil on canvas, 1900. 254x355 mm; 10x14 inches. Signed and dated in oil, lower right. Provenance: private collection.

 
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Lot 4: EDWARD M. BANNISTER (1828 - 1901) Untitled (Pastoral Landscape).

EDWARD M. BANNISTER (1828 - 1901) Untitled (Pastoral Landscape). Oil on canvas, 1900. 252x355 mm; 10x14 inches. Signed and dated in oil, lower right. 3 small and expertly repaired punctures, visible only from the verso. Provenance: private co [...more]

 
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Lot 5: HENRY OSSAWA TANNER (1859 - 1937) Untitled (Paris Park).

HENRY OSSAWA TANNER (1859 - 1937) Untitled (Paris Park). Oil on panel, circa 1900. 115x165 mm; 4 5/8x6 1/2 inches. Signed in oil, lower left. Inscribed in faded ink "Paris, Jardin de Luxembourg" on the verso, likely in another hand. Provenanc [...more]

 
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