Lot 1001: MAX ACKERMANN Without titles. Chalking and pencil drawing. 1942. 24, 9: 16.6 cm. Monogrammiert and dated, back marks and dates. Density, sheet-filling composition in Schwarz and white, which appear by the yellowish clay/tone of the paper like a

Description: MAX ACKERMANN Without titles. Chalking and pencil drawing. 1942. 24, 9: 16.6 cm. Monogrammiert and dated, back marks and dates. Density, sheet-filling composition in Schwarz and white, which appear by the yellowish clay/tone of the paper like a colored Zeichnung. - on yellowish indication paper. - 2 tiny Randeinrisse (ever approx.. 0.3 cm) and 1 hardly noticeable small break trace. (188) * E1.800

Lot 1002: MAX ACKERMANN Without titles. Acryl and Gouache on light cardboard. 1970. 33,4: 24.6 cm. Back with red ball-point pen marks and with 25th Sept. 1970 dates. With 79 years max ACKERMANNbegins 1966 a further new chapter, the acryl picture. In the

Description: MAX ACKERMANN Without titles. Acryl and Gouache on light cardboard. 1970. 33,4: 24.6 cm. Back with red ball-point pen marks and with 25th Sept. 1970 dates. With 79 years max ACKERMANNbegins 1966 a further new chapter, the acryl picture. In the Kleinformat its unbroken joy of life, long-known topics manifests itself blows in the flight past, in cheerful play finds like automatically the composition its harmony: it drives the harvest of its life's work (Will Grohmann). * E2.800 The available work is registered in max ACKERMANNarchives as personal work of max field man. (137)

Lot 1003: MORE ALEXANDER ARCHIPENKO Three Figures, one into repose. Lithography. Around 1921. 26,2: 18.3 cm (28,9: 21.5 cm). Marked. Karshan 24. - unity of 100 copies for the advantages expenditure of DIR Ararat. - on buetten. - oberrand on support attached,

Estimated Price: Log in or create account to view price data

Description: MORE ALEXANDER ARCHIPENKO Three Figures, one into repose. Lithography. Around 1921. 26,2: 18.3 cm (28,9: 21.5 cm). Marked. Karshan 24. - unity of 100 copies for the advantages expenditure of DIR Ararat. - on buetten. - oberrand on support attached, with loss, small spot and hole; short Randeinriss; frontlaterally easily, back more strongly gebraeunt. (136)

Lot 1004: HANS ARP Anthologie Dada 4/5. With 5 woodcuts. 1919. 27,6: 19.1 cm ( page layout). Arntz 40-44 A (of b). - Bolliger 14. - the 5 woodcuts in the Anthologie Dada 4/5, Hg v. Tristan Tzara, Zurich 1919. - Anthologie I (Arntz 40 A) as title woodcut on

Description: HANS ARP Anthologie Dada 4/5. With 5 woodcuts. 1919. 27,6: 19.1 cm ( page layout). Arntz 40-44 A (of b). - Bolliger 14. - the 5 woodcuts in the Anthologie Dada 4/5, Hg v. Tristan Tzara, Zurich 1919. - Anthologie I (Arntz 40 A) as title woodcut on brown Velin, with typographic text over and under the woodcut as well as blank back. Anthologie II and III (Arntz 41-42 A) on P. 15 of the magazine ( uncounted sides) one above the other on orange Velin, with typographic artist name H. Arp down right and printed on back. Anthologie IV and V (Arntz 43-44 A) on P. 30 one above the other on red Velin, with typographic artist name ARP down center and printed on back. - light customs traces; tiny Randeinrisse (to approx.. 0.5 cm); in the edge, particularly with the title page, with supplementing. - important document of the Dada movement. (85) * E2. 500

Lot 1005: EDUARD BARGHEER Man head. Water color over Vorzeichnung with pencil. 1965. 42,5: 32.0 cm. Marked, dated and with garden designates. Expressives, easily abstracted head portrait of a young man with thoughtful expression. - back very beautiful, water

Description: EDUARD BARGHEER Man head. Water color over Vorzeichnung with pencil. 1965. 42,5: 32.0 cm. Marked, dated and with garden designates. Expressives, easily abstracted head portrait of a young man with thoughtful expression. - back very beautiful, water color with opinion of a southern palm garden, held in blue, green and brown tones, when completed work dates marked and with 73. - on Velin. - at the Unterrand short, hardly noticeable tear (approx. 5 cm). (71) E2. 000