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James Smetham Auction Price Results
James Smetham (1821-1889)
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Lot 2: James Smetham (1821-1889)
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Description: The Call of the Prophet Amos signed 'J. Smetham' (lower left) and further signed, dated and inscribed 'Call of the Prophet Amos/by James Smetham./1875.' (on an old label on the reverse) oil on canvas 10 x 24 in. (25.5 x 62.3 cm.) PROVENANCE Dennis J. Smetham (+); Christie's, London, 25 July 1975, lot 71 (œ440 gns to Coulter). NOTES Smetham's work was characterised by his friend Rossetti as partaking 'greatly of Blake's immediate spirit, being also often allied by landscape intensity to Samuel Palmer'. In the artist's own words he explained how he sought in his imagination to combine 'art, literature and the religious life'. Amos, a shepherd who tended mulberries, lived near Jerusalem on the edge of the desert of Judah. He was one of the first great Hebrew prophets and foretold the doom which would fall on Israel unless its people mended their ways. In the midst of the social and industrial upheaval of the mid-nineteenth century such subjects held great appeal for Smetham, who felt they had contemporary significance. The picture was one of ten other works by Smetham sold by the artist's grandson at Christie's in 1975.
View additional info »Lot 2: James Smetham (1821-1889)
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Description: The Call of the Prophet Amos signed 'J. Smetham' (lower left) and further signed, dated and inscribed 'Call of the Prophet Amos/by James Smetham./1875.' (on an old label on the reverse) oil on canvas 10 x 24 in. (25.5 x 62.3 cm.) PROVENANCE Dennis J. Smetham (+); Christie's, London, 25 July 1975, lot 71 (œ440 gns to Coulter). NOTES Smetham's work was characterised by his friend Rossetti as partaking 'greatly of Blake's immediate spirit, being also often allied by landscape intensity to Samuel Palmer'. In the artist's own words he explained how he sought in his imagination to combine 'art, literature and the religious life'. Amos, a shepherd who tended mulberries, lived near Jerusalem on the edge of the desert of Judah. He was one of the first great Hebrew prophets and foretold the doom which would fall on Israel unless its people mended their ways. In the midst of the social and industrial upheaval of the mid-nineteenth century such subjects held great appeal for Smetham, who felt they had contemporary significance. The picture was one of ten other works by Smetham sold by the artist's grandson at Christie's in 1975.
View additional info »Lot 2: James Smetham (1821-1889)
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Description: The Call of the Prophet Amos signed 'J. Smetham' (lower left) and further signed, dated and inscribed 'Call of the Prophet Amos/by James Smetham./1875.' (on an old label on the reverse) oil on canvas 10 x 24 in. (25.5 x 62.3 cm.) PROVENANCE Dennis J. Smetham (+); Christie's, London, 25 July 1975, lot 71 (œ440 gns to Coulter). NOTES Smetham's work was characterised by his friend Rossetti as partaking 'greatly of Blake's immediate spirit, being also often allied by landscape intensity to Samuel Palmer'. In the artist's own words he explained how he sought in his imagination to combine 'art, literature and the religious life'. Amos, a shepherd who tended mulberries, lived near Jerusalem on the edge of the desert of Judah. He was one of the first great Hebrew prophets and foretold the doom which would fall on Israel unless its people mended their ways. In the midst of the social and industrial upheaval of the mid-nineteenth century such subjects held great appeal for Smetham, who felt they had contemporary significance. The picture was one of ten other works by Smetham sold by the artist's grandson at Christie's in 1975.
View additional info »Lot 2: James Smetham (1821-1889)
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Description: The Call of the Prophet Amos signed 'J. Smetham' (lower left) and further signed, dated and inscribed 'Call of the Prophet Amos/by James Smetham./1875.' (on an old label on the reverse) oil on canvas 10 x 24 in. (25.5 x 62.3 cm.) PROVENANCE Dennis J. Smetham (+); Christie's, London, 25 July 1975, lot 71 (œ440 gns to Coulter). NOTES Smetham's work was characterised by his friend Rossetti as partaking 'greatly of Blake's immediate spirit, being also often allied by landscape intensity to Samuel Palmer'. In the artist's own words he explained how he sought in his imagination to combine 'art, literature and the religious life'. Amos, a shepherd who tended mulberries, lived near Jerusalem on the edge of the desert of Judah. He was one of the first great Hebrew prophets and foretold the doom which would fall on Israel unless its people mended their ways. In the midst of the social and industrial upheaval of the mid-nineteenth century such subjects held great appeal for Smetham, who felt they had contemporary significance. The picture was one of ten other works by Smetham sold by the artist's grandson at Christie's in 1975.
View additional info »Lot 5: [ Oil Painting ]
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Description: JAMES SMETHAM (BRITISH, 1821-1889), "Miranda", portrait of a young woman , labelled verso, canvas. 24" x 20". Good quality gilt gesso frame.
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Lot 8: James Smetham (British, 1821-1889) A figure in distress by the shore
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Description: A figure in distress by the shore signed and indistinctly dated 'J Smetham/June 18**' (lower right), oil on board 10 x 15.2cm (4 x 6in).
View additional info »Lot 14: James Smetham (1821-1889)
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Description: The Road Home oil on board 31/2 x 51/2in. (8.9 x 14cm.).
View additional info »Lot 14: James Smetham (1821-1889)
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Description: The Road Home oil on board 31/2 x 51/2in. (8.9 x 14cm.).
View additional info »Lot 14: James Smetham (1821-1889)
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Description: The Road Home oil on board 31/2 x 51/2in. (8.9 x 14cm.).
View additional info »Lot 14: James Smetham (1821-1889)
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Description: The Road Home oil on board 31/2 x 51/2in. (8.9 x 14cm.).
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Lot 26: JAMES SMETHAM (BRITISH 1821-1889) THE ROSE OF DAWN 61cm x 35cm (24in x 13.8in)
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Description: JAMES SMETHAM (BRITISH 1821-1889) THE ROSE OF DAWN Signed, oil on canvas 61cm x 35cm (24in x 13.8in)
Condition Report: Relined. Retouching to face, hand, area surrounding left elbow and left of head and to his right shoulder, and to extreme top edge. 1 inch area of canvas becoming detached from relining bottom edge. Other general retouching. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.
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Lot 31: JAMES SMETHAM (BRITISH 1821-1889) CHRIST AT EMMAUS 50cm x 39cm (19.7in x 15.4in)
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Description: JAMES SMETHAM (BRITISH 1821-1889) CHRIST AT EMMAUS Oil on panel, arched top 50cm x 39cm (19.7in x 15.4in)
Condition Report: Thin vertical line of repainting between Christ and figure to his left. Other minor retouching. Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.
View additional info and full condition report »Lot 33: English School, circa 1860
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Description: Sunset: an extensive landscape with sheep in a pen, a wood beyond signed with unidentified monogram (lower left) pencil and watercolour, heightened with bodycolour 11 ¼ x 19 Á in. (28.7 x 49.3 cm.) Footnotes:The present watercolour is by the same hand as a watercolour previously exhibited as by James Smetham (1821-1889), included in a sale and exhibition at Christie's London, 9 June 1995, lot 271.
View additional info »Lot 33: English School, circa 1860
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Description: Sunset: an extensive landscape with sheep in a pen, a wood beyond signed with unidentified monogram (lower left) pencil and watercolour, heightened with bodycolour 11 ¼ x 19 Á in. (28.7 x 49.3 cm.) Footnotes:The present watercolour is by the same hand as a watercolour previously exhibited as by James Smetham (1821-1889), included in a sale and exhibition at Christie's London, 9 June 1995, lot 271.
View additional info »Lot 33: English School, circa 1860
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Description: Sunset: an extensive landscape with sheep in a pen, a wood beyond signed with unidentified monogram (lower left) pencil and watercolour, heightened with bodycolour 11 ¼ x 19 Á in. (28.7 x 49.3 cm.) Footnotes:The present watercolour is by the same hand as a watercolour previously exhibited as by James Smetham (1821-1889), included in a sale and exhibition at Christie's London, 9 June 1995, lot 271.
View additional info »Lot 33: English School, circa 1860
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Description: Sunset: an extensive landscape with sheep in a pen, a wood beyond signed with unidentified monogram (lower left) pencil and watercolour, heightened with bodycolour 11 ¼ x 19 Á in. (28.7 x 49.3 cm.) Footnotes:The present watercolour is by the same hand as a watercolour previously exhibited as by James Smetham (1821-1889), included in a sale and exhibition at Christie's London, 9 June 1995, lot 271.
View additional info »Lot 33: James Smetham (1821-1889)
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Description: Piping down the Valleys signed 'J.Smetham.' (lower left) and inscribed 'Piping down the Vallies' (on the reverse) oil on board, in original frame 41/2 x 12 in. (11.5 x 30.6 cm.) NOTES Smetham's work was characterised by his friend Rossetti as partaking 'greatly of Blake's immediate spirit, being also often allied by landscape intensity to Samuel Palmer'. In his own words he explained how he sought in his imagination to combine 'art, literature and the religious life all in one'. In Susan P Casteras's biography, James Smetham, 1995, p. 124, pl. 38, she notes how Smetham wrote of another version of this picture wondering if one could 'dwell in this valley of Heartsease where Humility and Content meet with horn-handed labour, and all sweetly foot it by the windy brooks, and over the windy sheep walks!'. Derived from lines by Blake, the picture encapsulates Smetham's ideal of an arcadian age of innocence and compares directly in scale and composition with his illustration to Milton's Lycidas, offered at Christie's London, 25 January 1974, lot 46, consigned by the grandson of the artist.
View additional info »Lot 33: James Smetham (1821-1889)
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Description: Piping down the Valleys signed 'J.Smetham.' (lower left) and inscribed 'Piping down the Vallies' (on the reverse) oil on board, in original frame 41/2 x 12 in. (11.5 x 30.6 cm.) NOTES Smetham's work was characterised by his friend Rossetti as partaking 'greatly of Blake's immediate spirit, being also often allied by landscape intensity to Samuel Palmer'. In his own words he explained how he sought in his imagination to combine 'art, literature and the religious life all in one'. In Susan P Casteras's biography, James Smetham, 1995, p. 124, pl. 38, she notes how Smetham wrote of another version of this picture wondering if one could 'dwell in this valley of Heartsease where Humility and Content meet with horn-handed labour, and all sweetly foot it by the windy brooks, and over the windy sheep walks!'. Derived from lines by Blake, the picture encapsulates Smetham's ideal of an arcadian age of innocence and compares directly in scale and composition with his illustration to Milton's Lycidas, offered at Christie's London, 25 January 1974, lot 46, consigned by the grandson of the artist.
View additional info »Lot 33: James Smetham (1821-1889)
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Description: Piping down the Valleys signed 'J.Smetham.' (lower left) and inscribed 'Piping down the Vallies' (on the reverse) oil on board, in original frame 41/2 x 12 in. (11.5 x 30.6 cm.) NOTES Smetham's work was characterised by his friend Rossetti as partaking 'greatly of Blake's immediate spirit, being also often allied by landscape intensity to Samuel Palmer'. In his own words he explained how he sought in his imagination to combine 'art, literature and the religious life all in one'. In Susan P Casteras's biography, James Smetham, 1995, p. 124, pl. 38, she notes how Smetham wrote of another version of this picture wondering if one could 'dwell in this valley of Heartsease where Humility and Content meet with horn-handed labour, and all sweetly foot it by the windy brooks, and over the windy sheep walks!'. Derived from lines by Blake, the picture encapsulates Smetham's ideal of an arcadian age of innocence and compares directly in scale and composition with his illustration to Milton's Lycidas, offered at Christie's London, 25 January 1974, lot 46, consigned by the grandson of the artist.
View additional info »Lot 33: James Smetham (1821-1889)
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Description: Piping down the Valleys signed 'J.Smetham.' (lower left) and inscribed 'Piping down the Vallies' (on the reverse) oil on board, in original frame 41/2 x 12 in. (11.5 x 30.6 cm.) NOTES Smetham's work was characterised by his friend Rossetti as partaking 'greatly of Blake's immediate spirit, being also often allied by landscape intensity to Samuel Palmer'. In his own words he explained how he sought in his imagination to combine 'art, literature and the religious life all in one'. In Susan P Casteras's biography, James Smetham, 1995, p. 124, pl. 38, she notes how Smetham wrote of another version of this picture wondering if one could 'dwell in this valley of Heartsease where Humility and Content meet with horn-handed labour, and all sweetly foot it by the windy brooks, and over the windy sheep walks!'. Derived from lines by Blake, the picture encapsulates Smetham's ideal of an arcadian age of innocence and compares directly in scale and composition with his illustration to Milton's Lycidas, offered at Christie's London, 25 January 1974, lot 46, consigned by the grandson of the artist.
View additional info »Lot 33: SMETHAM, James (1821-1889, British)
Description: Piping down the valleys, s. i.verso board Oil Painting (12x4in).
View additional info »Lot 33: SMETHAM, James (1821-1889, British)
Description: Piping down the valleys, s. i.verso board Oil Painting (12x4in).
View additional info »Lot 33: SMETHAM, James (1821-1889, British)
Description: Piping down the valleys, s. i.verso board Oil Painting (12x4in).
View additional info »Lot 33: SMETHAM, James (1821-1889, British)
Description: Piping down the valleys, s. i.verso board Oil Painting (12x4in).
View additional info »Lot 33: English School, circa 1860
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Description: Sunset: an extensive landscape with sheep in a pen, a wood beyond signed with unidentified monogram (lower left) pencil and watercolour, heightened with bodycolour 11 x 19.3/8 in. (28.7 x 49.3 cm.) NOTES The present watercolour is by the same hand as a watercolour previously exhibited as by James Smetham (1821-1889), included in a sale and exhibition at Christie's London, 9 June 1995, lot 271.
View additional info »Lot 33: English School, circa 1860
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Description: Sunset: an extensive landscape with sheep in a pen, a wood beyond signed with unidentified monogram (lower left) pencil and watercolour, heightened with bodycolour 11 x 19.3/8 in. (28.7 x 49.3 cm.) NOTES The present watercolour is by the same hand as a watercolour previously exhibited as by James Smetham (1821-1889), included in a sale and exhibition at Christie's London, 9 June 1995, lot 271.
View additional info »Lot 33: English School, circa 1860
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Description: Sunset: an extensive landscape with sheep in a pen, a wood beyond signed with unidentified monogram (lower left) pencil and watercolour, heightened with bodycolour 11 x 19.3/8 in. (28.7 x 49.3 cm.) NOTES The present watercolour is by the same hand as a watercolour previously exhibited as by James Smetham (1821-1889), included in a sale and exhibition at Christie's London, 9 June 1995, lot 271.
View additional info »Lot 33: English School, circa 1860
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Description: Sunset: an extensive landscape with sheep in a pen, a wood beyond signed with unidentified monogram (lower left) pencil and watercolour, heightened with bodycolour 11 x 19.3/8 in. (28.7 x 49.3 cm.) NOTES The present watercolour is by the same hand as a watercolour previously exhibited as by James Smetham (1821-1889), included in a sale and exhibition at Christie's London, 9 June 1995, lot 271.
View additional info »Lot 34: James Smetham (1821-1889)
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Description: Hard at Work signed and dated 'J. Smetham/1864' (lower centre) oil on panel 71/4 x 4.7/8 in. (18.5 x 12.4 cm.).
View additional info »Lot 34: James Smetham (1821-1889)
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Description: Hard at Work signed and dated 'J. Smetham/1864' (lower centre) oil on panel 71/4 x 4.7/8 in. (18.5 x 12.4 cm.).
View additional info »Lot 34: James Smetham (1821-1889)
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Description: Hard at Work signed and dated 'J. Smetham/1864' (lower centre) oil on panel 71/4 x 4.7/8 in. (18.5 x 12.4 cm.).
View additional info »Lot 34: James Smetham (1821-1889)
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Description: Hard at Work signed and dated 'J. Smetham/1864' (lower centre) oil on panel 71/4 x 4.7/8 in. (18.5 x 12.4 cm.).
View additional info »Lot 34: SMETHAM, James (1821-1889, British)
Description: Hard at work, s.d.1864 panel Oil Painting (5x7in).
View additional info »Lot 34: SMETHAM, James (1821-1889, British)
Description: Hard at work, s.d.1864 panel Oil Painting (5x7in).
View additional info »Lot 34: SMETHAM, James (1821-1889, British)
Description: Hard at work, s.d.1864 panel Oil Painting (5x7in).
View additional info »Lot 34: SMETHAM, James (1821-1889, British)
Description: Hard at work, s.d.1864 panel Oil Painting (5x7in).
View additional info »Lot 56: James Smetham (1821-1889)
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Description: Afternoon Rest signed and dated Ô j. smetham./1856. Õ (lower right) oil on board 6 Ã x 9 in. (17 x 22.8 cm.) Provenance: Anon. sale, ChristieÕs London, 2 February 1979, lot 160. Exhibited: ChristieÕs London, James Smetham Exhibition, 1995, no. 7.
View additional info »Lot 56: James Smetham (1821-1889)
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Description: Afternoon Rest signed and dated Ô j. smetham./1856. Õ (lower right) oil on board 6 Ã x 9 in. (17 x 22.8 cm.) Provenance: Anon. sale, ChristieÕs London, 2 February 1979, lot 160. Exhibited: ChristieÕs London, James Smetham Exhibition, 1995, no. 7.
View additional info »Lot 56: James Smetham (1821-1889)
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Description: Afternoon Rest signed and dated Ô j. smetham./1856. Õ (lower right) oil on board 6 Ã x 9 in. (17 x 22.8 cm.) Provenance: Anon. sale, ChristieÕs London, 2 February 1979, lot 160. Exhibited: ChristieÕs London, James Smetham Exhibition, 1995, no. 7.
View additional info »Lot 56: James Smetham (1821-1889)
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Description: Afternoon Rest signed and dated Ô j. smetham./1856. Õ (lower right) oil on board 6 Ã x 9 in. (17 x 22.8 cm.) Provenance: Anon. sale, ChristieÕs London, 2 February 1979, lot 160. Exhibited: ChristieÕs London, James Smetham Exhibition, 1995, no. 7.
View additional info »Lot 56: James Smetham (1821-1889)
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Description: Afternoon Rest signed and dated 'J. SMETHAM./1856.' (lower right) oil on board 6.7/8 x 9 in. (17 x 22.8 cm.) PROVENANCE Anon. sale, Christie's London, 2 February 1979, lot 160. EXHIBITION Christie's London, James Smetham Exhibition, 1995, no. 7.
View additional info »Lot 56: James Smetham (1821-1889)
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Description: Afternoon Rest signed and dated 'J. SMETHAM./1856.' (lower right) oil on board 6.7/8 x 9 in. (17 x 22.8 cm.) PROVENANCE Anon. sale, Christie's London, 2 February 1979, lot 160. EXHIBITION Christie's London, James Smetham Exhibition, 1995, no. 7.
View additional info »Lot 56: James Smetham (1821-1889)
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Description: Afternoon Rest signed and dated 'J. SMETHAM./1856.' (lower right) oil on board 6.7/8 x 9 in. (17 x 22.8 cm.) PROVENANCE Anon. sale, Christie's London, 2 February 1979, lot 160. EXHIBITION Christie's London, James Smetham Exhibition, 1995, no. 7.
View additional info »Lot 56: James Smetham (1821-1889)
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Description: Afternoon Rest signed and dated 'J. SMETHAM./1856.' (lower right) oil on board 6.7/8 x 9 in. (17 x 22.8 cm.) PROVENANCE Anon. sale, Christie's London, 2 February 1979, lot 160. EXHIBITION Christie's London, James Smetham Exhibition, 1995, no. 7.
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Lot 76: James Smetham (1821-1889)
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Description: James Smetham (1821-1889) A wayfarer resting by a lake signed and dated 'J. Smetham. 1865' (lower left) pencil, pen and brown ink and watercolour heightened with white, and with scratching out on paper4 7/8 x 6¾ in. (12.3 x 17.2 cm.)
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Lot 81: James Smetham (1821-1889)
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Description: James Smetham (1821-1889) Saul "hiding among the stuff" signed and dated '1866/J.Smetham' (lower right) and with inscription 'Saul "hiding among the stuff."' (on an old label attached to the reverse)pen and brown ink, watercolour and bodycolour with gum arabic 5¼ x 4 7/8 in. (13.3 x 12.4 cm.)
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Lot 94: James Smetham (1821 - 1889)
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Description: The Knight's Bridalsigned and dated 'J. Smetham 1864' (lower right) and further signed, inscribed and dated 'The Knights Bridal. J. Smetham 1864.' (on the reverse)oil on board13 1/2 x 9 in. (34.3 x 22.8 cm.)
View additional info »Lot 112: SMETHAM, James (1821-1889, British)
Description: Poets rest place, s.d.1867 i.verso panel Oil Painting (16x12in).
View additional info »Lot 112: SMETHAM, James (1821-1889, British)
Description: Poets rest place, s.d.1867 i.verso panel Oil Painting (16x12in).
View additional info »Lot 112: SMETHAM, James (1821-1889, British)
Description: Poets rest place, s.d.1867 i.verso panel Oil Painting (16x12in).
View additional info »Lot 112: SMETHAM, James (1821-1889, British)
Description: Poets rest place, s.d.1867 i.verso panel Oil Painting (16x12in).
View additional info »Lot 130: James Smetham (1821-89)
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Description: an old man by a tomb, signed J Smetham l.l., oil on board, 12 by 21.5cm.; 43/4 by 81/2in.; to be sold with a book, James Smetham, Painter, Poet, Essayist, by W. G. Beardmore. (2).
View additional info »Lot 130: James Smetham (1821-89)
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Description: an old man by a tomb, signed J Smetham l.l., oil on board, 12 by 21.5cm.; 43/4 by 81/2in.; to be sold with a book, James Smetham, Painter, Poet, Essayist, by W. G. Beardmore. (2).
View additional info »Lot 130: James Smetham (1821-89)
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Description: an old man by a tomb, signed J Smetham l.l., oil on board, 12 by 21.5cm.; 43/4 by 81/2in.; to be sold with a book, James Smetham, Painter, Poet, Essayist, by W. G. Beardmore. (2).
View additional info »Lot 130: James Smetham (1821-89)
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Description: an old man by a tomb, signed J Smetham l.l., oil on board, 12 by 21.5cm.; 43/4 by 81/2in.; to be sold with a book, James Smetham, Painter, Poet, Essayist, by W. G. Beardmore. (2).
View additional info »Lot 161: Circle of James Smetham (1821-1889) mixed media
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Description: Circle of James Smetham (1821-1889) mixed media painting, possibly on vellum, castle ruins at...
View additional info »Lot 201: SMETHAM, James (1821-1889)
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Description: A Thespian, 1846 + a similar w/c by another artist (2) Watercolour & pencil 21,3 x 1,2 inches (54.0 x 3.0in) Signed & Dated.
View additional info »Lot 201: SMETHAM, James (1821-1889)
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Description: A Thespian, 1846 + a similar w/c by another artist (2) Watercolour & pencil 21,3 x 1,2 inches (54.0 x 3.0in) Signed & Dated.
View additional info »Lot 201: SMETHAM, James (1821-1889)
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Description: A Thespian, 1846 + a similar w/c by another artist (2) Watercolour & pencil 21,3 x 1,2 inches (54.0 x 3.0in) Signed & Dated.
View additional info »Lot 201: SMETHAM, James (1821-1889)
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Description: A Thespian, 1846 + a similar w/c by another artist (2) Watercolour & pencil 21,3 x 1,2 inches (54.0 x 3.0in) Signed & Dated.
View additional info »Lot 205: SMETHAM, JAMES (1821-1889)
Description: Miranda, 1856 Oil/canvas 24x20 inches (61x51 cm) signed & dated.
View additional info »Lot 205: SMETHAM, JAMES (1821-1889)
Description: Miranda, 1856 Oil/canvas 24x20 inches (61x51 cm) signed & dated.
View additional info »Lot 205: SMETHAM, JAMES (1821-1889)
Description: Miranda, 1856 Oil/canvas 24x20 inches (61x51 cm) signed & dated.
View additional info »Lot 205: SMETHAM, JAMES (1821-1889)
Description: Miranda, 1856 Oil/canvas 24x20 inches (61x51 cm) signed & dated.
View additional info »Lot 217: James Smetham (1821-1889)
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Description: Classical figures in a garden signed ÔJ. SmethamÕ (lower right) oil on canvas 5 ½ x 9 ¼ in. (13.8 x 23.4 cm.).
View additional info »Lot 217: James Smetham (1821-1889)
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Description: Classical figures in a garden signed ÔJ. SmethamÕ (lower right) oil on canvas 5 ½ x 9 ¼ in. (13.8 x 23.4 cm.).
View additional info »Lot 217: James Smetham (1821-1889)
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Description: Classical figures in a garden signed ÔJ. SmethamÕ (lower right) oil on canvas 5 ½ x 9 ¼ in. (13.8 x 23.4 cm.).
View additional info »Lot 217: James Smetham (1821-1889)
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Description: Classical figures in a garden signed ÔJ. SmethamÕ (lower right) oil on canvas 5 ½ x 9 ¼ in. (13.8 x 23.4 cm.).
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Lot 226: James Smetham (1821-1889)
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Description: A classical figure studysigned 'J. Smetham' (lower right)oil on canvas5 1/4 x 9 in. (13.3 x 23.8 cm.)
View additional info »Lot 242: SMETHAM, JAMES (1821-1889)
Description: Asleep and awake, 1863 Oil/panel 6x5 inches (14x13.5 cm) signed & dated.
View additional info »Lot 242: SMETHAM, JAMES (1821-1889)
Description: Asleep and awake, 1863 Oil/panel 6x5 inches (14x13.5 cm) signed & dated.
View additional info »Lot 242: SMETHAM, JAMES (1821-1889)
Description: Asleep and awake, 1863 Oil/panel 6x5 inches (14x13.5 cm) signed & dated.
View additional info »Lot 242: SMETHAM, JAMES (1821-1889)
Description: Asleep and awake, 1863 Oil/panel 6x5 inches (14x13.5 cm) signed & dated.
View additional info »Lot 271: JAMES SMETHAM (1821-1889) Gathering the Flock at Sunset pencil,
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Description: watercolour heightened with bodycolour 8 3/8 x 19 1/8 in. (22.2 x 48.5 cm.) EXHIBITED: London, Christie's, "James Smetham," 1995, no.59.
View additional info »Lot 271: JAMES SMETHAM (1821-1889) Gathering the Flock at Sunset pencil,
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Description: watercolour heightened with bodycolour 8 3/8 x 19 1/8 in. (22.2 x 48.5 cm.) EXHIBITED: London, Christie's, "James Smetham," 1995, no.59.
View additional info »Lot 271: JAMES SMETHAM (1821-1889) Gathering the Flock at Sunset pencil,
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Description: watercolour heightened with bodycolour 8 3/8 x 19 1/8 in. (22.2 x 48.5 cm.) EXHIBITED: London, Christie's, "James Smetham," 1995, no.59.
View additional info »Lot 271: JAMES SMETHAM (1821-1889) Gathering the Flock at Sunset pencil,
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Description: watercolour heightened with bodycolour 8 3/8 x 19 1/8 in. (22.2 x 48.5 cm.) EXHIBITED: London, Christie's, "James Smetham," 1995, no.59.
View additional info »Lot 272: SMETHAM, James (1821-1889)
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Description: Sky and Sea Watercolour & pencil 9,8 x 128,0 inches (25.0 x 325.0cm) Signed.
View additional info »Lot 272: SMETHAM, James (1821-1889)
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Description: Sky and Sea Watercolour & pencil 9,8 x 128,0 inches (25.0 x 325.0cm) Signed.
View additional info »Lot 272: SMETHAM, James (1821-1889)
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Description: Sky and Sea Watercolour & pencil 9,8 x 128,0 inches (25.0 x 325.0cm) Signed.
View additional info »Lot 272: SMETHAM, James (1821-1889)
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Description: Sky and Sea Watercolour & pencil 9,8 x 128,0 inches (25.0 x 325.0cm) Signed.
View additional info »Lot 272: JAMES SMETHAM (1821-1889) Sky and Sea signed and inscribed on an
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Description: old label attached to the reverse of the frame 'Sky and Sea/by James Smetham'; pencil and watercolour heightened with bodycolour and with scratching out 9 3/4 x 12 3/4 in. (24.8 x 32.4 cm.) PROVENANCE: Dennis Smetham; (@dagger) Christie's, 21 October 1975, lot 154 EXHIBITED: London, Christie's, "James Smetham," 1995, no.75.
View additional info »Lot 272: JAMES SMETHAM (1821-1889) Sky and Sea signed and inscribed on an
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Description: old label attached to the reverse of the frame 'Sky and Sea/by James Smetham'; pencil and watercolour heightened with bodycolour and with scratching out 9 3/4 x 12 3/4 in. (24.8 x 32.4 cm.) PROVENANCE: Dennis Smetham; (@dagger) Christie's, 21 October 1975, lot 154 EXHIBITED: London, Christie's, "James Smetham," 1995, no.75.
View additional info »Lot 272: JAMES SMETHAM (1821-1889) Sky and Sea signed and inscribed on an
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Description: old label attached to the reverse of the frame 'Sky and Sea/by James Smetham'; pencil and watercolour heightened with bodycolour and with scratching out 9 3/4 x 12 3/4 in. (24.8 x 32.4 cm.) PROVENANCE: Dennis Smetham; (@dagger) Christie's, 21 October 1975, lot 154 EXHIBITED: London, Christie's, "James Smetham," 1995, no.75.
View additional info »Lot 272: JAMES SMETHAM (1821-1889) Sky and Sea signed and inscribed on an
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Description: old label attached to the reverse of the frame 'Sky and Sea/by James Smetham'; pencil and watercolour heightened with bodycolour and with scratching out 9 3/4 x 12 3/4 in. (24.8 x 32.4 cm.) PROVENANCE: Dennis Smetham; (@dagger) Christie's, 21 October 1975, lot 154 EXHIBITED: London, Christie's, "James Smetham," 1995, no.75.
View additional info »Lot 273: JAMES SMETHAM (1821-1889) Classical Figures by a River, a Temple
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Description: beyond signed 'J. Smetham'; pen and brown ink and watercolour heightened with bodycolour and with scratching out 7 1/4 x 9 in. (18.1 x 23 cm.) PROVENANCE: With Julian Hartnoll, London With Heather Newman, Gloucestershire EXHIBITED: London, Christie's, "James Semtham," 1995, no.35.
View additional info »Lot 273: JAMES SMETHAM (1821-1889) Classical Figures by a River, a Temple
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Description: beyond signed 'J. Smetham'; pen and brown ink and watercolour heightened with bodycolour and with scratching out 7 1/4 x 9 in. (18.1 x 23 cm.) PROVENANCE: With Julian Hartnoll, London With Heather Newman, Gloucestershire EXHIBITED: London, Christie's, "James Semtham," 1995, no.35.
View additional info »Lot 273: JAMES SMETHAM (1821-1889) Classical Figures by a River, a Temple
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Description: beyond signed 'J. Smetham'; pen and brown ink and watercolour heightened with bodycolour and with scratching out 7 1/4 x 9 in. (18.1 x 23 cm.) PROVENANCE: With Julian Hartnoll, London With Heather Newman, Gloucestershire EXHIBITED: London, Christie's, "James Semtham," 1995, no.35.
View additional info »Lot 273: JAMES SMETHAM (1821-1889) Classical Figures by a River, a Temple
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Description: beyond signed 'J. Smetham'; pen and brown ink and watercolour heightened with bodycolour and with scratching out 7 1/4 x 9 in. (18.1 x 23 cm.) PROVENANCE: With Julian Hartnoll, London With Heather Newman, Gloucestershire EXHIBITED: London, Christie's, "James Semtham," 1995, no.35.
View additional info »Lot 274: SMETHAM, James (1821-1889)
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Description: Returning with the catch Watercolour & pen, brown ink 7,9 x 11,4 inches (20.0 x 29.0cm) Signed.
View additional info »Lot 274: SMETHAM, James (1821-1889)
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Description: Returning with the catch Watercolour & pen, brown ink 7,9 x 11,4 inches (20.0 x 29.0cm) Signed.
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