Felicien Rops (1833-1898)

Aliases: Félicien Rops

Professions: Painter; Etcher; Lithographer; Illustrator

Félicien Rops Belgian, 1833-1898 , Le Calvair (Les Sataniques) watercolour heightened with coloured crayons, pencil and pastel on paper
Félicien Rops , Belgian 1833-1898 Coin de rue, quatres heures du matin (Parodie humaine) pastel, coloured chalks and watercolour on paper
Félicien Joseph Victor Rops (1833-1898)
Félicien Rops Belgian, 1833-1898 , Pornokrates or La Femme au Couchon 19 etchings and aquatints, 1896, 13 printed in colours, six in black, comprising an impression of the final state, signed by the publisher in ink, aside from the published edition.

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Felicien Rops Biography

(b namur, 7 july 1833; d essonnes, nr paris, 23 aug 1898). belgian painter and printmaker. the son of a textile manufacturer, he began his artistic education at the local art academy. at the age of 20 he went to live in brussels where he frequented the académie de saint-luc and practised lithography. his caricatures of political and other public figures and his satires of middle-class life were first published in the student paper le crocodile and then in the magazine uylenspiegel , for which he worked until 1862, contributing two lithographs a week in 1856, but fewer in the following years. his models were mainly gavarni and daumier, but in the waterloo medal (1858) one can trace the influence of gillray, while his impressive l’ordre règne à varsovie (1863) was obviously inspired by his french predecessor, grandville. rops sometimes preferred to use etching (then coming back into fashion) for his illustrations. he made four etchings for charles de coster’s flemish legends (1858) and five for his tales from brabant (1861). in 1862 he visited paris where he worked with two of the leading etchers of his time, félix bracquemond and jules jacquemart. he concentrated increasingly on etching and from about 1865 abandoned lithography altogether.

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