Nikolay Milioti (1874-1962)
Aliases: Nikolai Dmitrievich Milioti; Nikolaj Dmitrievič Milioti; Nikolay Dmitriyevich Milioti; Nicolai Milliotti; Nicolas Milliotti; Nikolai Dmitrijewitsch Milliotti
Professions: Portrait painter; Painter
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Nikolai Dimitrievich Milliotti 1874-1962 In an
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Nikolai Dimitrievich Milioti 1874-1962 Waterfall
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NIKOLAI DIMITRIEVICH MILLIOTTI 1874-1962 In the
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NIKOLAI DMITRIEVICH MILIOTI, 1874-1962
Nikolay Milioti Biography
(b Moscow, 29 Jan 1874; d Paris, 26 Dec 1962). The styles of both Nikolay and his brother (2) Vasily Milioti were formed under the influence of Mikhail Vrubel and the writings of the second generation of Russian Symbolist poets, Andrey Bely and Aleksandr Blok. A friendly critic writing in 1906 praised Nikolay Miliotis hovering pale veils, while Vladimir Stasov, the champion of Realism in Russian art, attacked the bacilli and bacteria (of corruption, presumably) that he perceived in Nikolay Miliotis works. Both comments may have been applied to one of his most frequently reproduced paintings, Angel of Sorrow (c. 19067; untraced, see Gray, 1986, pl. 44). This decorative panel painting has obvious affinities, in both subject-matter and style, with the painting by Vrubel of the Demon (1890; Moscow, Tretyakov Gal.). In each painting the central figure is a spiritual being, but in Miliotis it is a two-dimensional, wraith-like apparition rather than a fully three-dimensional, muscular presence. However, the construction in separate coloured facets derives from the treatment of the landscape in the painting by Vrubel, and presumably it was this faceting that elicited Stasovs unfavourable comments.
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f - NIKOLAI DMITRIEVICH MILIOTI, 1874-1962
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The Kiss
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NIKOLAI DMITRIEVICH MILIOTI, 1874-1962 CAVORTING AT DUSK
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Flowers
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Two Dancers from La Princesse de Charizme
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MILIOTI, NIKOLAI 1874-1962 Toledo signed, titled




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